i second DarkAngel's recommendation for Orchestral Manoeuvres in the Dark's
Architecture and Morality. it could very well be the most beautiful synth-pop album ever recorded... from 1981 no less. Depeche Mode were still sucking their thumbs, teeny bopper poster pin up stars singing about someone they just can't get enough and asking for names from pretty boys (P-R-E-double T-Y!)
anyway, the three songs that appear on
The Best of OMD and
The OMD Singles compilations (Souvenir, Joan of Arc, Maid of Orleans) tell only a portion of the
Architecture and Morality story. the album features some of the most beautiful melodies ever played on the keyboard on the song "Sealand," you'd wish Paul Humphreys would play more of it before Andy McCluskey starts singing. the ambient setting on "Sealand" is also very impressive.
the album opener "The New Stone Age" features noisy, textured soundscapes (very similar to Joy Division's "Atrocity Exhibition") that could fit well on any modern Industrial record. the ambient title track exhibits OMD's knack for making impressive instrumentals, and also a technique of using looped choral tapes and vocal samples to form a song's basic structure... also found on the sparkling pop single "Souvenir" (first Paul Humphreys sung single) and the impressive "Joan of Arc" single. the "Maid of Orleans" single features a waltz time rhythm not commonly found on a hit single, and features an impressive atmospheric intro.
"She's Leaving" displays beautiul melodic subtlety, and could have easily been OMD's fourth Top 5 UK single if they would agreed with Virgin Records to release it. "Souvenir," "Joan Of Arc," and "Maid of Orleans" all were Top 5 singles (#3, #5, #4 respectively) and OMD were concerned about exploiting their fans with a fourth single, while on the other hand The Human League gave in to Virgin Records releasing the classic "Don't You Want Me" as the fourth single off the hit record
Dare! and became a #1 hit, making them loads of money. Andy McCluskey has said in many occasions that he should've released "She's Leaving" as the fourth single.
"Georgia" features a highly catchy keyboard riff and "The Beginning and the End" similarly uses a catchy guitar riff.
what i would recommend more is the Remastered Editions, which appends with seven bonus tracks of B-Sides and studio outtakes. if you're thinking these are merely album fillers, you're highly mistaken because these seven songs make a flawless synth-pop album even better. "Sacred Heart" features an ambient setting, the "Extended Souvenir" has an extra vocal verse not found on the album/single version, "Navigation" finds OMD at their sonic experimentalism peak, and "The Romance of the Telescope" is easily Paul and Andy's favourite OMD song ever recorded, and is also OMD fan's favourite song of all time.
Architecture and Morality made OMD superstars until they went totally experimental and uncommercial on the conceptual (and highly underrated)
Dazzle Ships album in 1983. from there they lost their footing and went gradually downhill until Andy McCluskey ressurcted OMD (without Paul Humphreys or long time members Malcolm Holmes and Martin Cooper) on the highly successful
Sugar Tax album.
Architecture and Morality remains a synth-pop classic.
ok... bong (self proclaimed Head-Fi's Cure and OMD expert) is DONE!
sorry to hijack the thread...