Quote:
Originally Posted by markl /img/forum/go_quote.gif
As the main focus of pop music, the center of the musical universe, yes, rock's been dead for 12 years now (died when Kurt blew his brains out).
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I'm not much of a Nirvana fetishist (Love the band. The mystique?...not so much) but I think Mark hits it right on the head. For the baby boomers, rock truly was the music of a generation. Now it's a niche in an increasingly fractured market.
But that's not necessarily a bad thing. There's a lot of good, new rock music around; it just ain't on the radio. The jam band circuit offers some amazing bands among the noodling GDead wannabes, and local scenes continue to thrive all over the world.
Boris is a fantastic hard rock/hardcore/metal/prog (depending on their mood) band, and the neo-prog movement is showing a lot of promise. Here in NYC, amid a sea of mediocrity, we nevertheless have Asobi Seksu and the Flesh, either of whom can blow away a live audience without breaking a sweat.
What does disturb me is the "mix and match" approach to creating a sound. Most new bands, in my opinion, can be summed up by listing the styles or influences that they glue together in some pedestrian way to come up with something that is new without being original. Influences are fine -- Asobi Seksu clearly worships at the altar of My Bloody Valentine -- but to be truly new, a band has to come up with an individual signature by doing something original with their sources.
Asobi Seksu does just that. The relentless MyBloodVal comparisons are ultimately silly, because a)it's an obvious point, b) it's a point that's been made OVER and OVER, and c) in the end AS do have their own, original sound.
Ummmm...did I mention that I really like Asobi Seksu?