I've been listening to a lot of Nina Nastasia lately, and I've come to the conclusion that she's overlooked and underrated... It's hard to think many artists who've been so consistantly excellent over a career as she has been. On Leaving should've been near the top of many a "Best of 2006" list, and I can't think of a release of hers that wouldn't be at the top of that years list, either. I know she's been discussed here and there in other threads, but I thought it was time to talk about her and her alone.
Dogs, The Blackened Air, Run To Ruin, On Leaving and her latest, a collaboration with Jim White (of The Dirty Thee), You Follow Me are all pretty amazing. The combination of songwriting, lyrics, instrumentation, production and recording by Steve Albini are all spot-on. For all the lamenting that's done about the poor recordings and masterings out there, her albums are a joy to listen to, with great dynamics, separation and an overall excellent sound.
I read in a review somewhere that her songs are neither too sparce or too cluttered, and I think that's a perfect description. Each song is crafted in a way to highlight her voice, and the rest is just built around that. I don't know if it's the slightly dark nature of her records that keeps people away, or the "gothic folk" label I've seen applied to her, but people are really missing out when they pass over her work.
So, if you've got an itch for some incredible female vocals, well crafted and well recorded songs, and don't mind a nice, dark atmosphere, she's worth checking out.
Touch and Go Records Site - Info on first 3 releases
FatCat Records Site - Info on the latest 2
Nina Nastasia MySpace Site
Dogs, The Blackened Air, Run To Ruin, On Leaving and her latest, a collaboration with Jim White (of The Dirty Thee), You Follow Me are all pretty amazing. The combination of songwriting, lyrics, instrumentation, production and recording by Steve Albini are all spot-on. For all the lamenting that's done about the poor recordings and masterings out there, her albums are a joy to listen to, with great dynamics, separation and an overall excellent sound.
I read in a review somewhere that her songs are neither too sparce or too cluttered, and I think that's a perfect description. Each song is crafted in a way to highlight her voice, and the rest is just built around that. I don't know if it's the slightly dark nature of her records that keeps people away, or the "gothic folk" label I've seen applied to her, but people are really missing out when they pass over her work.
So, if you've got an itch for some incredible female vocals, well crafted and well recorded songs, and don't mind a nice, dark atmosphere, she's worth checking out.
Touch and Go Records Site - Info on first 3 releases
FatCat Records Site - Info on the latest 2
Nina Nastasia MySpace Site