HiWire
Headphoneus Supremus
- Joined
- Mar 26, 2004
- Posts
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So, in a way, people in the digital realm are ghost-hunting... looking for newer explanations for differences in sound than have been previously quantifiable? That would explain a lot of the esoteric theories and strange tweaks out there. Audiophiles
I was skimming a Stereophile article from April 2004 called New Media Metrics. It seems like a lot of this digital stuff is hard to explain to anyone who isn't an engineer. I find the "science" behind audiophilia fascinating, but in a more theoretical sense... I still haven't heard vast differences from the high-res formats. Maybe I'm listening to the wrong systems... but I do object to paying $20,000 for a decent source (like Reimyo, EMM Labs, dCS, etc.)... trickle-down technology may be supporting Redbook players after years of research investment.
It's a strange problem, but it's causing me to hesitate in buying a Redbook player. The universal and multi-format players all seem to have their own compromises or they're too expensive at this point.
I was skimming a Stereophile article from April 2004 called New Media Metrics. It seems like a lot of this digital stuff is hard to explain to anyone who isn't an engineer. I find the "science" behind audiophilia fascinating, but in a more theoretical sense... I still haven't heard vast differences from the high-res formats. Maybe I'm listening to the wrong systems... but I do object to paying $20,000 for a decent source (like Reimyo, EMM Labs, dCS, etc.)... trickle-down technology may be supporting Redbook players after years of research investment.
It's a strange problem, but it's causing me to hesitate in buying a Redbook player. The universal and multi-format players all seem to have their own compromises or they're too expensive at this point.