gerG
Headphoneus Supremus
There is still some discussion on the topic of output quality from the headphone jack vs the line out. I decided to do a couple of simple listening tests to convince myself one way or the other. Although the results are significant and relevant to my ears, they are subjective, and I encourage anyone interested in the difference to try the experiment for themselves.
First I connected both outputs from my minipod to a headroom switch box for an A/B test (pic below). I used identical mini to RCA cables. I matched the volume of the headphone output to the signal output (it is slightly below max). Switch fed the analog inputs of a Grace 901, which drove the Ety ER4S.
I had intended to do the test blind with random repeats. However, the difference was so apparent that it became pointless. The line out had better clarity and dynamics overall. In comparison the headphone out sounded out of focus or diffuse. Acoustic guitar had a sort of reflected off a wall sound through the headphone out, but became clear and distinct from the background from the line out. Bass kicks were cleaner and had better impact and resolution from the line out.
Part B was a check for dynamic compression. This is not the most rigorous approach, but it is easy! Just connect the headphone out of the player to the input of an amp with a volume control. Set the player (ipod, etc) volume to max, and set a reasonable listening level on the amp. Now turn the player down while turning the amp up. If you have enough volume pot, and don't run into a noise floor, you should start hearing lost dynamics on any device with digital volume control. If the device upsamples, there will be a range before compression sets in. I perceived it beginning somewhere between 30% and 40% on the ipod scale. It was especially apparent in drums and percussion, and also in the bite of picked guitar strings. From this one I conclude that listening above 50% scale on the control should keep me out of compression when I am listening straight out of the HP jack.
gerG
First I connected both outputs from my minipod to a headroom switch box for an A/B test (pic below). I used identical mini to RCA cables. I matched the volume of the headphone output to the signal output (it is slightly below max). Switch fed the analog inputs of a Grace 901, which drove the Ety ER4S.
I had intended to do the test blind with random repeats. However, the difference was so apparent that it became pointless. The line out had better clarity and dynamics overall. In comparison the headphone out sounded out of focus or diffuse. Acoustic guitar had a sort of reflected off a wall sound through the headphone out, but became clear and distinct from the background from the line out. Bass kicks were cleaner and had better impact and resolution from the line out.
Part B was a check for dynamic compression. This is not the most rigorous approach, but it is easy! Just connect the headphone out of the player to the input of an amp with a volume control. Set the player (ipod, etc) volume to max, and set a reasonable listening level on the amp. Now turn the player down while turning the amp up. If you have enough volume pot, and don't run into a noise floor, you should start hearing lost dynamics on any device with digital volume control. If the device upsamples, there will be a range before compression sets in. I perceived it beginning somewhere between 30% and 40% on the ipod scale. It was especially apparent in drums and percussion, and also in the bite of picked guitar strings. From this one I conclude that listening above 50% scale on the control should keep me out of compression when I am listening straight out of the HP jack.
gerG