Magnum22
100+ Head-Fier
- Joined
- Feb 17, 2006
- Posts
- 128
- Likes
- 10
Seven days ago these phones were delivered. Including listening time, I think they have over 100 hours of burn in.
From various CD players to the Penguin Royal, or the Sansa Clip, these things deliver exactly what I wanted plus more. I'm noticing new things in music I've been listening to for years. As a drummer works his way from the floor tom to the snare, I hear the drums pan from right to left. There's a hand clapping in an outro that I could never hear behind the drums. In a live concert recording, although I knew the lead guitarist was given the right side of the PA and the rhythm guitarist the left, it was never that distinct until now. Now I have a reason to use the crossfeed switch.
After I heard these things I went back to my other headphones and you can hear them, but you have to look. With the Ultrasones, they're presented to you and there is no searching. I probably didn't have to explain that to the real audiophiles of head-fi but it caught me by surprise.
I cannot listen to these things plugged directly into my MacBook. It sounds awful. I have the griffen iMic USB audio interface, which I own for recording but it is a tremendous improvement over the headphone out for listening as well.
As for character, they're pretty lively, but not as in-your-face as the Koss and Grado headphones I'm accustomed to. The big bass won't swallow up the other frequencies. This was my complaint about my HD485, which I bought for the computer. I now realize it wasn't the Senn's fault but the source, the crummy headphone out. Plugged into the sansa clip or CD players they are pretty good.
One more thing I knew existed but never heard in headphones before is separation. A high end guitar amplifier allows to you to hear each individual string ringing when you strike a chord. The Ultrasones do this. My old headphones don't.
I think the efficiency is pretty high on these things, as I keep the volume much lower (around 10:30 on the Penguin) than I do with my other headphones. I may be wrong because Ultrasone claims something about higher perceived volume at lower sound pressure levels, which I can't try to explain so I won't.
Here's a (crummy) pic with my other amps. The cups are pressed against each other at 180 degrees to stretch the headband. I left them like this for the first three days of burn in. Clamp wasn't really bad, but I am sensitive to that so I did it anyway.
...and with most of my sources. I know, nothing to be too proud of, but more's on the way. The aiwa's headphone out sounds great, but I grew up listening to aiwa CD and casette players so I may be biased. Mainly using the D-33 line out to the Royal.
From various CD players to the Penguin Royal, or the Sansa Clip, these things deliver exactly what I wanted plus more. I'm noticing new things in music I've been listening to for years. As a drummer works his way from the floor tom to the snare, I hear the drums pan from right to left. There's a hand clapping in an outro that I could never hear behind the drums. In a live concert recording, although I knew the lead guitarist was given the right side of the PA and the rhythm guitarist the left, it was never that distinct until now. Now I have a reason to use the crossfeed switch.
After I heard these things I went back to my other headphones and you can hear them, but you have to look. With the Ultrasones, they're presented to you and there is no searching. I probably didn't have to explain that to the real audiophiles of head-fi but it caught me by surprise.
I cannot listen to these things plugged directly into my MacBook. It sounds awful. I have the griffen iMic USB audio interface, which I own for recording but it is a tremendous improvement over the headphone out for listening as well.
As for character, they're pretty lively, but not as in-your-face as the Koss and Grado headphones I'm accustomed to. The big bass won't swallow up the other frequencies. This was my complaint about my HD485, which I bought for the computer. I now realize it wasn't the Senn's fault but the source, the crummy headphone out. Plugged into the sansa clip or CD players they are pretty good.
One more thing I knew existed but never heard in headphones before is separation. A high end guitar amplifier allows to you to hear each individual string ringing when you strike a chord. The Ultrasones do this. My old headphones don't.
I think the efficiency is pretty high on these things, as I keep the volume much lower (around 10:30 on the Penguin) than I do with my other headphones. I may be wrong because Ultrasone claims something about higher perceived volume at lower sound pressure levels, which I can't try to explain so I won't.
Here's a (crummy) pic with my other amps. The cups are pressed against each other at 180 degrees to stretch the headband. I left them like this for the first three days of burn in. Clamp wasn't really bad, but I am sensitive to that so I did it anyway.
...and with most of my sources. I know, nothing to be too proud of, but more's on the way. The aiwa's headphone out sounds great, but I grew up listening to aiwa CD and casette players so I may be biased. Mainly using the D-33 line out to the Royal.