Hey everyone, I published my overview review of the iFi Zen Air line this morning!!
I’m pleased with the system and I really like its modular design, plus the value is really high for the price. I can think of a few all-in-one components that have some coldness, harshness, or off-timbre qualities that cost several hundreds of dollars, but I was surprised how pleased I was even using the “picky” Sennheiser HD 800 from just the ZEN Air DAC. Someone could easily start a system with the Air DAC, and then add to and enhance their system on their next paycheck with the Air CAN for harder to drive headphones (like the low sensitivity T50RP mk III, or better sense of separation “air” with a K712 Pro or HD 6xx). I also think the Air PHONO or Air BLUE are nice additions to the Air stack _or_ unobtrusive additions to other systems, like my antique receiver which doesn’t have Bluetooth at all.
I suppose all the ZEN products are compact, but I like the small footprint that saves desk space for all my activities
. Since I’m also trying to use my desk for filming, it’s nice to have less stuff to clear off before turning on the camera! I think people could get clever with these, small and quick enough to pack up to transport to work or even a vacation, store them in a drawer when not in use at an office, or even build into a workstation or (heh!) nomad’s van home! The USB power is nice and universal around the world.
However, the form factor does have some drawbacks. I needed to use a USB hub to connect the DAC and CAN to my Mac (Minis and iMacs since the release of Apple Silicon only have two USB-A ports, but thankfully I had a hub connected to a USB-C port), and the USB cables are too short to reach from my turntable to my power strip that also has USB ports so I needed to use a big battery with USB ports to run a turntable setup. If I intended to buy a HiFi or turntable setup away from my computer, I would really want longer USB cables, or I would have to consider AC/DC wall wart plugs into the cost of a system. Also, I think it would be RARE for someone to find use for all four components to be stacked together. With a computer source, I would not expect to have the turntable nearby (I do, but… I’m weird
) or have a need for the BLUE, but if I had my turntable setup in the living room I could see the PHONO and BLUE coexisting with the CAN at the center, but at that point I wouldn’t need the DAC (because the BLUE has its own “hyperstream” Sabre DAC).
It also seems, with the ZEN Air DAC (now that I think about it, I didn’t test this with the BLUE), that sometimes the first part of songs get cut off while streaming music from Apple Music playlists and algorithm suggestions. I was able to recreate this issue consistently despite giving the previous song time to finish naturally and the next track time to “buffer,” but the amount of time cut from the beginning seemed to not be inconsistent (I used a Queen track where Freddie Mercury started singing on the first beat, and sometimes it would lose up to four syllables). The issue did not happen when I just played from my Mac Mini’s speakers or built-in headphone jack. However, it took me some time to notice this, AND I was able to play through Pink Floyd’s “Dark Side of the Moon” (which just celebrated its release anniversary two days ago, you know) without perceptible gaps between tracks, so my working theory is that the DAC takes a second if you are switching from a track in one bitrate/sample rate/file format to a different one.
My biggest issue, and I’m curious if
@dilbertprogrammer finds this too, is probably specific only to this particular sample. I tried using all four components hooked up together, but whenever I used the CAN’s 3.5mm input with any source (DAC, BLUE, or my Mac’s headphone jack), I heard a high mids pitched whine. It was low enough with my 300 Ω HD 8xx that I could ignore it while listening to active music, but between songs or during musical rests the whine was quiet but ever present. It got louder if I turned up the CAN’s volume (well past music listening levels), but didn’t seem to be affected by the output gain of the DAC. If I bought the CAN myself, I would have sent it in for warranty, but I fully expect it was a single unit defect rather than an inherent design flaw that would appear on other samples of ZEN Air CAN.
Overall, I think it’s a great budget system. The CAN is my favorite, because I really like all the tone, gain, and input select features, and it definitely kicked up the performance of my lower sensitivity and higher impedance headphones, improving their sense of soundstage and impact, but I could easily see the Air DAC being a great first buy for someone who wants their first taste of audiophile sound. The Phono works well, and was just plug-and-play to add a turntable to a sound system, something that’s very welcome when turntables are generally fiddly devices that need tweaking to optimize. The BLUE may be the least exciting component, because of the wealth of other wireless streaming options at $99, but viewed on its own it’s a capable device that sounds really good for Bluetooth, and the component I would most likely have passed on if it wasn’t included ended up being the component I feel like could have merited a bit more time to understand it fully. With the CanJam buzz around discrete clocks for ultra high end systems, the clocks built into the BLUE and DAC are advertised as being accurate down to the femto-second.
I could see these being popular in dorm rooms and apartments, offices, computer desks at home, or integrating into a HiFi or TV media center with high “wife acceptance factor” or good aesthetics.