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[size=x-small]It's a lot to expect that the DX100's internal amp is going to compete with an SR71b. The DX100's internal DAC may be great, but it is not providing a balanced output. So there are obviously some different variables swirling around here. We should all be careful not to be blinded by the simple presence of a high end DAC chip....that doesn't guarantee perfect implementation or synergy... [/size][/size]
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[size=x-small]While I want the DX100 to succeed more than anyone, it's a bit premature for anyone to assume it's going to trump the high end portable component systems. If it does, I'll be happy and come out ahead with all of the equipment I can sell off [/size][/size]
I've used balanced gear for years. Insisted on it for years. Insisted it was the best, because it was very good to me, better than other stuff I had tried. I have a Beta22 which is pretty well the ultimate in balanced solid state headphone amps. However, there's always exceptions to the rule, and not all balanced amps are going to beat or greatly exceed all single ended amps. The O2 is an example of this. Because it was very well designed, it sounds greatly more expensive than it actually is, and better than a lot of large home amps (when used with LCD3 and a good source). Lots of balanced gear is not at its top design potential, or at least, for the money being charged can be beaten by less expensive gear. My full size home setup does not bring me greatly more pleasure than my DX100 + O2 because it is literally not that much better. Obviously I could DBT it, it's not hard to tell, but the DX100 + O2 is very, very good. And the built in amp of the DX100 is nearly as good as my O2 for lower impedance headphones and easier to drive orthos, to where I can hardly tell a difference with the LCD3s. It isn't fair to speculate how good the amp is in the DX100 when nobody knows for sure what it is and nobody has successfully cracked a DX100 open. It has a ton of dynamic range though, very deep bass, and a gigantic soundstage, with no glaring flaws or anything I'd really want to improve upon, so that's good enough for me.
The ESS9018 actually is used with balanced output stages in many builds, like balanced Buffalo DACs done by DIYers, etc. You're right, it is all about how you implement it. However, pretty much all the impressions of the DX100 so far (and there aren't that many yet) is that it sounds abnormally good, but has a few software bugs like a tiny bit of static between tracks, tracks being played in a funny order, etc etc. I think they're doing a better job than the very first iPod.
Nobody has to believe me on this one, but they'll have to listen to a DX100 to know for sure.
Edit: I agree with Jamato on this one. Impressions can easily change with time. I've been listening to the DX100 every single day, and the O2 every single day, just to confirm to myself that I'm not going nuts or something.