There’s some bad info, not as much as in your post though! Jitter/Clocking is a classic example of audiophile marketing picking up on an issue that was solved decades ago, then selling expensive solutions to that already solved non-issue and along the way, inventing all kinds of misinformation, outright lies and lies of omission falsely explaining how and when jitter and noise occurs, it’s consequences and the scale of it. This has been going on for so many years, with so much marketing misinformation/lies invented during that time, it’s hardly surprising audiophiles are completely confused/mislead about jitter and therefore post “bad info”.A fair amount of bad info in this thread.
Firstly, that’s “bad info” because “all people” (audiophiles) don’t only want to talk about galvanic isolation, there’s still quite a lot of talk about jitter, clocks, etc. Secondly, “up to 20 times worse” is just marketing BS. While it *might* theoretically be true, so what? The amount of jitter relative to a completely different protocol is irrelevant, what’s relevant is if the jitter exceeds the specifications of it’s own protocol. The data transfer rate of TOSLINK is two orders of magnitude lower than even USB 2 (let alone USB 3 or 4), so USB therefore requires a far lower jitter specification in order to work.Toslink is one of the worst for jitter at up to 20 times worse than decently implemented USB, yet all people want to talk about is it galvanically isolated.
So what? That’s why digital audio was invented and how it’s supposed to work! Audiophile marketing over the years has focused on “noise in the data stream and jitter” because that opens the door to a whole range of audiophile products which are not only completely useless but have profit margins so massive they’re hard to ignore for some/many manufacturers; “decrapifiers”/“cleaners”, audiophile digital cables, audiophile clocks, etc. The marketing BS is largely based on the lie that the digital data stream is effectively an analogue signal. There is always noise in the transmission of signals, the reason digital audio was invented is because below an extremely high level of transmission noise digital audio is completely immune to it. This is unlike analogue signals, where any amount of transmission noise is represented in the output signal and worse still, all the noise is cumulative. In any asynchronous protocol, jitter exists in the transmission but has zero effect and is effectively irrelevant. With synchronous protocols transmission jitter does have some effect but is reduced to orders of magnitude below audibility by the clock recovery circuitry always built into even cheap DACs.Yea but it still transits noise in the data stream and jitter.
More marketing BS. Your PC has to have a clock signal in the several gigahertz range (otherwise it simply would never work), not the paltry several megahertz clock signal required by your DAC. The precision of the clocks (transmitter or receiver clocks) themselves is largely irrelevant, what’s relevant with digital audio is the precision of the clock signal at the point of conversion and that’s determined by the clock recovery circuitry.Not the piece of crap clock in our PC trying to time sensitive audio stream via spdif toslink.
This has all been done to death and put to bed decades ago, except in the audiophile world, because so many audiophile products rely on the myth that it’s a relevant/current problem which their products solve!
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