Arya V3 on a decent Class A amp has amazing impact on almost every note. I wouldn't describe them as bassy, but what's there in the lower region has fantastic punchiness. It's a very controlled bass, responding more to the music than trying to assert it's own coloration, to the point that you can listen to classical music and have an amazingly light and airy, textured and detailed listen with the lowend staying very reserved and out of the way. And then you click play on an EDM track and have your ears hammered. Amazingly versatile bass.
As far as an all-arounder goes, yeah. There's scarcely anything better in this price range.
(edit: quoted the wrong post)
Arya V2 owner here. Completely agree with your assessment of the Aryas bass.
The following is not directed at you but more a general observation:
What always annoys me is the idea that good/deep/textured/punchy bass is only needed for so-called 'bass-heavy' genres like hip hop, EDM, modern pop etc. and that for classical music it is somehow OK to have weak bass. It's incredible how often a review states something along the lines of "this headphone has amazing detail, but the bass drops off under ...Hz, so it's more suited to classical music." IMHO, it's the EXACT OPPOSITE: because the bass that
is there in classical music is often crucial to that music, underpinning whatever crazy harmonic thing the composer is doing, or providing the rhythmic drive in similar ways to modern genres. If you have well-recorded classical music, and a headphone with weak bass, the emotional impact of the music is severely diminished. (For older, bass-light recordings (think 70s-80s Deutsche Gramophone etc), it's even worse: you NEED that bass!).
Of course, in a sense, most mediocre bass-heavy headphones
are more suited to EDM, pop etc., for the simple reason that the sounds and samples used in those genres have no reference in the real world. Therefore, the range of bass-response that can sound somewhat right is broader, after all, who knows what the artist intended? It's just a sound. In classical music though, there
is a reference, which is why a lot of headphones that sound reasonably good in other genres quickly fall apart when listening to classical (or jazz or other well-recorded acoustic music). You can still have a more or less 'bassy' headphone, but the
quality of that bass has to be really good to get away with it; for a big bass response to sound natural.
Many, many people listen to intense, dramatic, large-scale orchestral works like Mahler symphonies or Wagner operas, which have content all the way down the frequency spectrum. And not only (huge) orchestral bass-drums (that can be punchy AF by the way, and should sound the part), also harmonic content, think organs, tam-tams etc. At loud climaxes, this kind of music demands far more from headphones and amps than the steady *thump thump* of modern pop. Any deficiency is immediately noticed. Any bass bloat immediately obscures instrumental textures in the midrange.
That's the thing: when called for, I want Mahler to hammer my ears just as hard as an EDM track. (Pun intended).