FreeBlues
100+ Head-Fier
I know there are a few of you that have heard and/or own both these cans. Based on SQ alone which is "better" and why?
If it helps, I'm using a 5.5g iMod, ALO Au/Ag cables, portable vcap and either a Lisa or iQube. I listen to (lossless) blues, blues rock, classic rock, pop, some country and bluegrass and acoustic guitar. My reference phones are UE11s.
I recently owned the HFI780s and in spite of the rave reviews they are getting they did not work for me (200+ hours burn in). In addition to being too big (full size), the trebles could be seriously sizzling. Lower quality recordings, especially live recordings with cymbals, high hats and snare drums were seriously unpleasant for me.
I'm wondering if the ESW9s are better for me than the HFI780s? Just for grins, I'm also thinking about HD25-1-II as a decent, small (portable) sealed can.
Finally, if you think you know the flat out best, money no object small, sealed, portable, non-IEM, feel free to offer it up!
If it helps, I'm using a 5.5g iMod, ALO Au/Ag cables, portable vcap and either a Lisa or iQube. I listen to (lossless) blues, blues rock, classic rock, pop, some country and bluegrass and acoustic guitar. My reference phones are UE11s.
I recently owned the HFI780s and in spite of the rave reviews they are getting they did not work for me (200+ hours burn in). In addition to being too big (full size), the trebles could be seriously sizzling. Lower quality recordings, especially live recordings with cymbals, high hats and snare drums were seriously unpleasant for me.
I'm wondering if the ESW9s are better for me than the HFI780s? Just for grins, I'm also thinking about HD25-1-II as a decent, small (portable) sealed can.
Finally, if you think you know the flat out best, money no object small, sealed, portable, non-IEM, feel free to offer it up!