[Sinocelt]

I posted seven short audio samples and a poll on Gearspace (a forum about audio recording):

Six de-reverb apps compared

Should you have time to lend your golden ears (and gear) to the experiment, please do! I did my own listening using the ER4SR and the 4.A, a CIEM made by the Wizard.

 

[WorksUnit]

Caveat , I`m not going to register over there to poll, nor have "Golden Ears"..
Vote E though, coming from a keen podcast listener.
GL with your craft

 

[Sinocelt]

Caveat , I`m not going to register over there to poll, nor have "Golden Ears"..

Ah, yeah, no, you don't have to register. I mean, your telling me here as you did works just fine for me. Thank you!

Vote E though, coming from a keen podcast listener.

E is currently leading the poll by a wide marging, yet it's the dark horse: an app/plugin created entirely by one person. For Mac only, unfortunately, and I have a PC!

GL with your craft

Thank you. If you have time, listen to one or two of the samples here and tell me what you think.

 

[Rasuti]

I posted seven short audio samples and a poll on Gearspace (a forum about audio recording):

Six de-reverb apps compared

Should you have time to lend your golden ears (and gear) to the experiment, please do! I did my own listening using the ER4SR and the 4.A, a CIEM made by the Wizard.

No Golden Ears but, Choosing E as well, preserves your voice the best whilst getting rid of the reverb/room noise. B was 2nd, got rid of the ac but not the room as well. D for 3rd since it did not mitigate ac as well and affected your voice. C better than F. A sounded way too processed, so worse overall imo.

Several edits to this cause of re-listening.

 

[WorksUnit]

Thank you. If you have time, listen to one or two of the samples here and tell me what you think.

Le Dragon et la Damoiselle, whatever production choices you made there
Also, your pronunciation of "William Leadbetter" really stood out.

 

[Sinocelt]

Le Dragon et la Damoiselle, whatever production choices you made there

Different mic, among other factors. For my Gearspace samples, I went with the MKH 416, the most used microphone in movie history. For Le Dragon et la Damoiselle, I went with the MD 441. The MD 441 has been called the most condenser-like of dynamic microphones because of its clarity, but for me it's the most ribbon-like of dynamic microphones because of its velvety sound. It's a really wonderful mic with very good sound rejection from the sides and, to a lesser extent, back. In my experience, though, it can be a b-- er, challenge to place right. Not just because it's heavy, but because its sound can change quite a bit depending on its positioning. It's partly due to its being a hypercardioid--which is the reason for its excellent sound rejection from the sides--so that advantage is also a disadvantage.

 

[Sinocelt]

I've now posted the key to the six files. Thank you for your help!