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So... if I were interested in building a meta42 for use with my soundcard would I use a DMM set to measure DC voltage coming from the line-out on my soundcard while playing music? If so, I'm getting readings of under+/- 1 mV. Does this sound right? Would this be enough DC voltage to require C1? |
It's quite common for audio outputs to have near-zero DC offset. As long as total DC offset through the system is under roughly 20 mV, you're okay. Since the average headphone amp will have a total system gain of 1-2x, between the attenuation of the pot and the 5-10x gain gain following it, 1 mV of offset isn't nearly enough of matter.
C1 is paranoia. We put it in because we don't want people whining to us if they happen to have a source with significant DC offset and the amp fries their cans. Chances are excellent that jumpering C1 is safe, but that's a bad gamble when people are plugging $300 headphones into this amp.
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would anyone know the impedance of the Sony V6? If there are no capacitive/inductive elements in a pair of phones am I right to say that measured resistance of 130ohms at the connect would also be the impedance? I'm curious because I'd like my meta42 to be able to handle both a V6 and eventually HD-600 (300ohm impedance). |
Yes, you can just measure the resistance of the headphone to get a rough idea of working impedance, but it's not the right number to answer the question you're asking. My Koss KSC-35s get loud even with weak sources; my Senn HD-570s require a pretty strong source to get loud, and their impedance is 64 ohms. See what I mean about this being the wrong number?
The one you want is "sensitivity". This tells you how loud the headphones will get with a particular signal. Usually it's given in terms of a 1 kHz signal with a 1 V RMS amplitude. You also need to know the full line level voltage of your source, and then take into account pot attenuation. All together this will tell you where gain should be.
That's the scientific way. The practical way is to just try various values for R3 until you get the right balance between gain and "touchiness" on the volume knob.
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If there's a right and a left channel, then wouldn't you have two output and two input jacks as well, or is there still only 1 input and 1 outupt jack? |
The META42 is a stereo amplifier -- 2 channels. Your headphones and source are also stereo components. An 1/8" and 1/4" jack are a single connector for stereo sound, but you need a pair of RCA jacks for stereo. So the answer is either, "yes you need 2 jacks", or "yes you need just one jack". Both are correct.
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So when and if i stack the buffers, i will only stack the right and left channel, but not the "2001G" is that correct? So i would have either 5 EL2001, or 1 EL2001 and 4 EL2002 buffers assuming that i stacked them. |
You can also stack the ground buffer, if you want. This is discussed in the META42 docs.
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is the best part for my setup the one that you had listed with the 10 micro F capacitance, you have other parts listed in your opptional parts list, but none are in bold so i think that means you haven't used them. |
The documentation tells you whether it's better to get the 10uF part or the 6.8uF part. See the "Capacitor Voltage Tolerance" section on the "Assembly Tips and Hints" page.
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I will also leave out R8 R9 and C5 for the time being, unless i have hissing problems. |
You jumper R8 and R9 -- don't leave them out. And C5 doesn't fix "hissing problems". It's to fix oscillation, which
can sound hissy, but most often it doesn't. Even if it does sound hissy, it's usually loud, whereas R8 and R9 are there to fix very low hiss levels with certain setups. Entirely different symptoms.
Adding C5 should never be your first troubleshooting step in the META42.
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In choosing the buffers, what would you go with if you were designing this thing for portable and home use? |
2001s.
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astly, do you think i should include C1, and if so, what capacitance should i choose? |
See
the docs.