zhenya
100+ Head-Fier
- Joined
- Jan 11, 2004
- Posts
- 344
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- 63
I can't tell you how many times I've almost ordered a set of DT880's in the last week. There's just something that I'm not quite sure about with them. I think it's that while they come highly recommended around here, people aren't fanatical about them the way they are about Grado's or to a lesser extent Senn's. I get the point that they are accurate, but do they inspire you? Do they engage you? Are they fun? It kind of feels like they are a great phone, at a great price, but they might leave the listener a little cold, as if they can hear how good they sound, and how good the music is, but never make you forget about them for the music.
Currently, I have a set of SR-60's and a set of ER-4p's. At home I listen to an NAD c541i and a Music Hall mmf-2.1 through a wooaudio 3 amp. While the Ety's are unquestionably better than the Grados in many ways, I still find myself reaching for the Grado's at least 90% of the time. At home I listen to a lot of jazz, bluegrass, classic country, some electronica, some rock. I value foot tapping engagement over perfect pitch or timbre.
Just recently I was able to listen to the SR-60's alongside of the SR-225's and the Silver 325's. I found the latter two to be tremendously better than the 60's, which sounded generally congested and harsh sounding on brass. The two better Grado's were much smoother in those areas, while also having much better clarity and separation between instruments. I actually slightly preferred the 325's to the 225's, and did not find them harsh as per their reputation here. I guess as I write this, it sounds like I would be very happy with the Grado's. Problem is, I still haven't heard the Beyers! Any Beyer fanatics out there who want to chime in and set me straight?
Currently, I have a set of SR-60's and a set of ER-4p's. At home I listen to an NAD c541i and a Music Hall mmf-2.1 through a wooaudio 3 amp. While the Ety's are unquestionably better than the Grados in many ways, I still find myself reaching for the Grado's at least 90% of the time. At home I listen to a lot of jazz, bluegrass, classic country, some electronica, some rock. I value foot tapping engagement over perfect pitch or timbre.
Just recently I was able to listen to the SR-60's alongside of the SR-225's and the Silver 325's. I found the latter two to be tremendously better than the 60's, which sounded generally congested and harsh sounding on brass. The two better Grado's were much smoother in those areas, while also having much better clarity and separation between instruments. I actually slightly preferred the 325's to the 225's, and did not find them harsh as per their reputation here. I guess as I write this, it sounds like I would be very happy with the Grado's. Problem is, I still haven't heard the Beyers! Any Beyer fanatics out there who want to chime in and set me straight?