I auditioned a Grace 901 (from Headroom) after hearing all of the hype, against a good tube amp (modified special edition EarMax pro) and the Ray
Samuels HR-2, and returned the Grace as decidedly inferior to both of the others. It is a beautifully built piece of equipment (physically prettiest of the bunch), but was mightily trumped by my tube amp, and by the Samuels, which is more dynamic and has better timbre. Although all ears are different, and preferences in amps vary a great deal, I have a hard time believing that anyone who auditioned them together would take the Grace over the (much less expensive) HR-2, unless they really had to have a DAC in the amp to allow digital connection. The Grace, to my ears, is "analytical" in the worst sense - very detailed, but very uninvolving somehow. it lacks the "pace" of the HR-2, and both are completely behind a good tube amp (comparably priced tube amp) in musicality.
I find it remarkable that the two prominent "Class A" Stereophile headphone amps are the worst two amps of their price class that I hav e heard. This says a lot about how their posture regarding "width of distribution", along with their narrow inroads into most of the headphone arena have left their advice in that arena very sorely lacking.
I would strongly suggest that you try a good tube amp, in the price range you are talking about, head to head with whichever solid state amp you audition, and let your own all-important ears make the call.