pank2002
1000+ Head-Fier
- Joined
- May 18, 2003
- Posts
- 1,213
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- 10
Hey Head-fi,
I has been quite a long time since I last got around this forum. What a shame
. Either way, I kind of need your comments on a issue. My girl friend is the lead singer of a semi professional, part time band. The other day she told me she would like to get some in ears, and whether we would be able to afford it (Christmas can be quite expensive when one is studying and have limited funds). I told her she could borrow my pair of UM2, and after having performed she was trilled. She thought they were great.
Either way, she decided to spend the money she earns in this band on gear. As I said, she is the lead singer, and I am guessing that the following is top priorities: accuracy, isolation, sound quality, comfort and durabilities. Even though the UM2s are great phones they are not exactly durable. They are, however, extremely comfortable when used with Comply tips. The UM2s are certainly an opportunity.
My initially thought would be to get the Westone 3, but on Westone’s website they do not list it under musicians earphones. It might have a more consumer orientated sound (whenever it gets around). Shure probably also has something good, but I really have no idea what model to look at—especially not with the new model- and naming scheme. Maybe the SE530? I have no idea what to expect from a Super.Fi earphone . . .
The Shure PTH seems like a great little gadget, but I am wondering if it will work in a stage environment.
One could get one of the Shure PSM too. That might be ideal, but unfortunately it seems as if the included phones are not the best. I do not know whether the Shure PSM holds a good value. I guess the primary concern is a couple of good IEMs at the moment.
The budget is limited so I guess it should be a universal-fit-earphone. USD 500 is certainly the absolute maximum. A lower price is better.
Thanks in advance,
Rasmus
I has been quite a long time since I last got around this forum. What a shame
![Headphone Smile :) :)](https://cdn.head-fi.org/e/headfi/smily_headphones1.gif)
Either way, she decided to spend the money she earns in this band on gear. As I said, she is the lead singer, and I am guessing that the following is top priorities: accuracy, isolation, sound quality, comfort and durabilities. Even though the UM2s are great phones they are not exactly durable. They are, however, extremely comfortable when used with Comply tips. The UM2s are certainly an opportunity.
My initially thought would be to get the Westone 3, but on Westone’s website they do not list it under musicians earphones. It might have a more consumer orientated sound (whenever it gets around). Shure probably also has something good, but I really have no idea what model to look at—especially not with the new model- and naming scheme. Maybe the SE530? I have no idea what to expect from a Super.Fi earphone . . .
The Shure PTH seems like a great little gadget, but I am wondering if it will work in a stage environment.
One could get one of the Shure PSM too. That might be ideal, but unfortunately it seems as if the included phones are not the best. I do not know whether the Shure PSM holds a good value. I guess the primary concern is a couple of good IEMs at the moment.
The budget is limited so I guess it should be a universal-fit-earphone. USD 500 is certainly the absolute maximum. A lower price is better.
Thanks in advance,
Rasmus