Nomad
1000+ Head-Fier
- Joined
- Jan 24, 2005
- Posts
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- 16
So I got the R10s several months ago. I got a late production one (2003/4) and they weren't cheap, even for a R10.
And I didn't like them.
At all.
Too distant. Not engaging. Thin on bass (although punchier than expected) and with a bit of "paper" feel on the sound, like if the membrane was made of paper. It's hard to describe (I had similar feeling with some electrostatics, feeling a thin plastic/foil paper "feel" if driven from a not-warm amp)
I still kept them. I'm glad I did.
It took me ages but I started to appreciate how good they are for some music. And they capture "something" about the music that other cans can't. I'd love to be more explicit... but I can't. This doesn't pretend to be a review. It's more a rant about how such an old design was such a great one. And about how important is to give some time to your gear in order to fully appreciate it.
As most people say, they have a great soundstage, almost unreal for a headphone system. But apart from this, there is that "musical" thing going on...
It's hard to believe how an almost 20 years old design can still be unmatched on several aspects. I finally start to understand why I know of 3 owners of HE90/R10 that would keep the R10 if they could only have one, after long term ownership experience. I still would keep the HE90 (or even better, the SR-Omega) but I wonder if in the future I might end keeping the R10s too.
The R10s were a huge acomplishment. One Sony should be proud of.
And I didn't like them.
At all.
Too distant. Not engaging. Thin on bass (although punchier than expected) and with a bit of "paper" feel on the sound, like if the membrane was made of paper. It's hard to describe (I had similar feeling with some electrostatics, feeling a thin plastic/foil paper "feel" if driven from a not-warm amp)
I still kept them. I'm glad I did.
It took me ages but I started to appreciate how good they are for some music. And they capture "something" about the music that other cans can't. I'd love to be more explicit... but I can't. This doesn't pretend to be a review. It's more a rant about how such an old design was such a great one. And about how important is to give some time to your gear in order to fully appreciate it.
As most people say, they have a great soundstage, almost unreal for a headphone system. But apart from this, there is that "musical" thing going on...
It's hard to believe how an almost 20 years old design can still be unmatched on several aspects. I finally start to understand why I know of 3 owners of HE90/R10 that would keep the R10 if they could only have one, after long term ownership experience. I still would keep the HE90 (or even better, the SR-Omega) but I wonder if in the future I might end keeping the R10s too.
The R10s were a huge acomplishment. One Sony should be proud of.