stuartr
Loyal member of Team Useful Post.
- Joined
- Oct 18, 2001
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I installed a cartridge by myself for the first time, and my lord was it a pain in the ass. I feel like you need three espresso-free hands, all with fingers the size of tweezers. You also need bionic eyes, the patience of Penelope (yes, and Odyssey reference), and an ability to just stop tweaking at some point.
The upside is that it sounds gorgeous. The music is so alive and realistic. Yes, every once in awhile there is a pop or click, and the backgrounds are not as black as with CD (I need a better ground cable...), but when you stop focusing on those flaws (which happens pretty much as soon as you sit back), you realize how fantastic the rest of the presentation is. Voices sound extremely realistic, strings and pianos sound like strings and pianos rather than very close approximations of strings and pianos. For me, the trade off of what vinyl does poorly versus what it does well is easy to make. The ease and beauty of the sound is well worth the huge "pain in the ass factor" that vinyl brings. By the way, I am not trying to start a vinyl vs. cd war...this is just the way I feel...I have a great CD player (Cary 306/200) and I love it, but I just like the sound of vinyl better. I have not heard enough SACD to compare, but what I have heard is fantastic. Unfortunately, practically nothing I care to listen to is out on SACD, so I am not really interested. It's more about the music for me than what technical properties the medium has, and I don't tend to buy music for its production values...though I enjoy it when something is really well-produced.
Anyway, the turntable is a Music Hall MMF-9, and the new cartridge is a Shelter 501 MkII. It is dramatically better than the Music Hall Maestro that came with the table. Not that it sounded bad before, but the Shelter is way better. The phono stage is a CJ EV-1. Anyway, I am not sure I have everything "just so", but I am sure I will have plenty of time to tweak it later. I ordered a hi-fi news test LP to see if I can have it help me get the last bits of performance out of the rig.
The music I have been listening to is Radiohead's Hail to the Thief 45 set...very well recorded and pressed, big heavy vinyl. It sounds fantastic. The best I have heard, however, is my Mercury Living Presence recording of Janos Starker playing Bach's 2nd and 5th cello suites -- it is 40 years old, yet it sounds like he is sitting right in front of you. It is the most intimate and intense recording I have ever heard. I bought it used, of course, so there is a bit more pops and clicks than most of my newer LP's, but the sense of realism and intimacy is so strong that they just disappear in the background as if they were people next to you shuffling in their seat or coughing at a concert. That is the best way I can describe it -- you are there, so the pops are just background noise in the hall.
Anyway, I just wanted to post my experience about it because it is always so great when the gear steps away and lets you experience the music viscerally. When it makes you stop whatever else you might be doing and listen to the MUSIC, which is ultimately what it is all about.
And headphones of course...they were HP-2's with the UWBR cable into the Maestrobator...IC's cardas neutral reference and KS-1010's...ground cable is a unshielded speaker cable that seems to pick up the local rap radio station when there is no signal and I turn the volume all the way up (it is inaudible at listening levels)....I am working on it.
Here is the cartridge...feel free to tell me if I mounted it backwards!
The upside is that it sounds gorgeous. The music is so alive and realistic. Yes, every once in awhile there is a pop or click, and the backgrounds are not as black as with CD (I need a better ground cable...), but when you stop focusing on those flaws (which happens pretty much as soon as you sit back), you realize how fantastic the rest of the presentation is. Voices sound extremely realistic, strings and pianos sound like strings and pianos rather than very close approximations of strings and pianos. For me, the trade off of what vinyl does poorly versus what it does well is easy to make. The ease and beauty of the sound is well worth the huge "pain in the ass factor" that vinyl brings. By the way, I am not trying to start a vinyl vs. cd war...this is just the way I feel...I have a great CD player (Cary 306/200) and I love it, but I just like the sound of vinyl better. I have not heard enough SACD to compare, but what I have heard is fantastic. Unfortunately, practically nothing I care to listen to is out on SACD, so I am not really interested. It's more about the music for me than what technical properties the medium has, and I don't tend to buy music for its production values...though I enjoy it when something is really well-produced.
Anyway, the turntable is a Music Hall MMF-9, and the new cartridge is a Shelter 501 MkII. It is dramatically better than the Music Hall Maestro that came with the table. Not that it sounded bad before, but the Shelter is way better. The phono stage is a CJ EV-1. Anyway, I am not sure I have everything "just so", but I am sure I will have plenty of time to tweak it later. I ordered a hi-fi news test LP to see if I can have it help me get the last bits of performance out of the rig.
The music I have been listening to is Radiohead's Hail to the Thief 45 set...very well recorded and pressed, big heavy vinyl. It sounds fantastic. The best I have heard, however, is my Mercury Living Presence recording of Janos Starker playing Bach's 2nd and 5th cello suites -- it is 40 years old, yet it sounds like he is sitting right in front of you. It is the most intimate and intense recording I have ever heard. I bought it used, of course, so there is a bit more pops and clicks than most of my newer LP's, but the sense of realism and intimacy is so strong that they just disappear in the background as if they were people next to you shuffling in their seat or coughing at a concert. That is the best way I can describe it -- you are there, so the pops are just background noise in the hall.
Anyway, I just wanted to post my experience about it because it is always so great when the gear steps away and lets you experience the music viscerally. When it makes you stop whatever else you might be doing and listen to the MUSIC, which is ultimately what it is all about.
And headphones of course...they were HP-2's with the UWBR cable into the Maestrobator...IC's cardas neutral reference and KS-1010's...ground cable is a unshielded speaker cable that seems to pick up the local rap radio station when there is no signal and I turn the volume all the way up (it is inaudible at listening levels)....I am working on it.
Here is the cartridge...feel free to tell me if I mounted it backwards!