cajunchrist
Guest
- Joined
- Nov 27, 2001
- Posts
- 595
- Likes
- 0
I was looking for a closed set of headphones to enjoy while walking to work. After I read for a bit on this forum, I thought the new ER-6's would give me the isolation I needed to block out the insistent noise of Los Angeles city streets. I ordered them from headphone.com and plugged them in to my recently purchased Panasonic 570 pcdp.
My initial impressions were mixed. I had a devil of a time trying to get anything resembling a decent seal with these headphones; by "deeply and comfortably" inserted in to the ear, I thought you had to have the whole canalphone plus half the cord shoved in to your ear. It took many tries and terribly irritated ears to realize I only needed to slide these in past the edge of the second flange to get the right seal. Pushing them in any farther results in reduced bass and collapsed soundstage.
While walking to work, any favorable impression I may have had with these headphones was demolished by the occlusion effect, where the sound of my breathing and the thump of my footfalls obliterated all details in the music that the ER-6's were offering. So, they weren't suited for my original purpose.
I took the ER-6's home and listened to them with some of my ambient music through the Panasonic. The level of detail on these headphones is nothing short of remarkable, there are layers of information revealed that I never imagined existed in my favorite recordings. Listening to rock music like Godflesh demonstrated that there were several different feedback sounds present in the guitar, not just the one blurred drone that most headphones reproduced.
The unimpressive bass on the ER-6's was greatly improved with the addition of my JMT built CMOY with crossfeed connected to the Panasonic with a StraightWire mini to mini. Lower bass notes were reproduced with heft and authority, and highs gained presence that definitely improved my overall listening experience.
However, the neutral presentation of these headphones ultimately led me to feel unsatisfied. When listening to my Natalie Merchant CD Ophelia, I got the impression of listening to a cassette dub. The experience was cold and distant, and I got the visual image of the music like one of those old style black and white newspaper photos.
The ER-6's reveal recording flaws and shortcomings in the source just as well as it reveals the best qualities of the equipment and recordings used. While this phone seems to have been aimed at audiophiles on a budget, I think the Etymotics require high quality sources and interconnects as well as amplification to make them perform their best. I can't imagine using these with the headphone out of an MP3 player.
For those who need better isolation than a standard closed headphone offers at a reasonable price, the ER-6 is a good choice. Anyone who can afford a high quality amp and a good source with interconnects will also be impressed with this headphone. But for bargain basement audiophiles who can't afford a better than average rig, I have to recommend passing the ER-6's by.
cajunchrist
My initial impressions were mixed. I had a devil of a time trying to get anything resembling a decent seal with these headphones; by "deeply and comfortably" inserted in to the ear, I thought you had to have the whole canalphone plus half the cord shoved in to your ear. It took many tries and terribly irritated ears to realize I only needed to slide these in past the edge of the second flange to get the right seal. Pushing them in any farther results in reduced bass and collapsed soundstage.
While walking to work, any favorable impression I may have had with these headphones was demolished by the occlusion effect, where the sound of my breathing and the thump of my footfalls obliterated all details in the music that the ER-6's were offering. So, they weren't suited for my original purpose.
I took the ER-6's home and listened to them with some of my ambient music through the Panasonic. The level of detail on these headphones is nothing short of remarkable, there are layers of information revealed that I never imagined existed in my favorite recordings. Listening to rock music like Godflesh demonstrated that there were several different feedback sounds present in the guitar, not just the one blurred drone that most headphones reproduced.
The unimpressive bass on the ER-6's was greatly improved with the addition of my JMT built CMOY with crossfeed connected to the Panasonic with a StraightWire mini to mini. Lower bass notes were reproduced with heft and authority, and highs gained presence that definitely improved my overall listening experience.
However, the neutral presentation of these headphones ultimately led me to feel unsatisfied. When listening to my Natalie Merchant CD Ophelia, I got the impression of listening to a cassette dub. The experience was cold and distant, and I got the visual image of the music like one of those old style black and white newspaper photos.
The ER-6's reveal recording flaws and shortcomings in the source just as well as it reveals the best qualities of the equipment and recordings used. While this phone seems to have been aimed at audiophiles on a budget, I think the Etymotics require high quality sources and interconnects as well as amplification to make them perform their best. I can't imagine using these with the headphone out of an MP3 player.
For those who need better isolation than a standard closed headphone offers at a reasonable price, the ER-6 is a good choice. Anyone who can afford a high quality amp and a good source with interconnects will also be impressed with this headphone. But for bargain basement audiophiles who can't afford a better than average rig, I have to recommend passing the ER-6's by.
cajunchrist