frescagod
100+ Head-Fier
- Joined
- Dec 1, 2006
- Posts
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that everyone coming from Ety er4's will audition UEs, Shures, Westones, etc, and immediately say "they're just not as detailed," or "they lack that sparkle that my beloved Etys have," etc? And that the sound signature of the non-Ety phones is inferior because of that?
I only ask because I seem to be in the very small minority of people who came from Shure (e2, e3, e4, and e500 now) and finally got some ER4Ps, and my complaint is that the Etys are harsh as heck.
Coming from Shure IEMs, my brain/ears are used to the slightly rolled off treble, which I have now come to prefer over the Ety bright sparkly treble. The biggest reason for this is that the Shures are still very detailed, but I can listen to them for 12 hours, vs. maybe 1 hour with Etys.
Also, the Ety fanboys always call their bass "tight" and "controlled," but the fact is, I listen to IEMs in the subway 95% of the time, and the Ety bass is just not sufficient enough in a loud environment, regardless of how many db of noise they block. Heck, my old Shure e4s didn't have enough bass either. The bass was detailed, etc, but only when I was listening in my quiet apartment. As soon as I got on a train, I could still hear every other midrange and treble detail, but the bass would drop 50%.
I find this to be the case with the Etys as well, and not only that, but they're also extremely microphonic, with one of the worst designs ever (and most uncomfortable). I would rate them at the absolute bottom in terms of comfort, and I never was a fan of the tri/bi-flanges.
In a quieter environment, I could probably get used to short-term use of the Etys, but for now, count me in with the Shure e500 fan base, because of:
1) Comfort
2) Bass that's bigger but not bloated, and still detailed
3) Nice mids
4) Virtually no microphonics
I only ask because I seem to be in the very small minority of people who came from Shure (e2, e3, e4, and e500 now) and finally got some ER4Ps, and my complaint is that the Etys are harsh as heck.
Coming from Shure IEMs, my brain/ears are used to the slightly rolled off treble, which I have now come to prefer over the Ety bright sparkly treble. The biggest reason for this is that the Shures are still very detailed, but I can listen to them for 12 hours, vs. maybe 1 hour with Etys.
Also, the Ety fanboys always call their bass "tight" and "controlled," but the fact is, I listen to IEMs in the subway 95% of the time, and the Ety bass is just not sufficient enough in a loud environment, regardless of how many db of noise they block. Heck, my old Shure e4s didn't have enough bass either. The bass was detailed, etc, but only when I was listening in my quiet apartment. As soon as I got on a train, I could still hear every other midrange and treble detail, but the bass would drop 50%.
I find this to be the case with the Etys as well, and not only that, but they're also extremely microphonic, with one of the worst designs ever (and most uncomfortable). I would rate them at the absolute bottom in terms of comfort, and I never was a fan of the tri/bi-flanges.
In a quieter environment, I could probably get used to short-term use of the Etys, but for now, count me in with the Shure e500 fan base, because of:
1) Comfort
2) Bass that's bigger but not bloated, and still detailed
3) Nice mids
4) Virtually no microphonics