minya
Headphoneus Supremus
- Joined
- Sep 11, 2002
- Posts
- 2,708
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- 14
God, I love doing this. I actually downloaded this disc at random (I'm going to purchase it as soon as it comes into stock at Aquarius) because I thought the name "Espers" was cool. What an amazing surprise.
Espers consists of Greg Weeks, Meg Baird, and Brooke Sietensons. Apparently Greg Weeks is rather well-known amongst the psychedelic/drone/acid-folk scene (yes, there is an entire subgenre of this stuff) but this is my first encounter with the music in general.
So what, exactly, is Espers? Well, imagine the traditional folk music of Scandinavia (metal fans, see Ulver's Kveldssanger for a reference), although it doesn't sound pagan or even Scandinavian. (As you'll see shortly, Espers' music is full of paradoxes.) Then imagine this folk music -- played beautifully, full of melody and life -- informed by several traditions from the '60s and '70s, namely minimalism/drone music and acid/psychedelic rock. Then, add absolutely gorgeous, lush, sonorous vocals (male and female; the female vocals have the same lush, sweet, silky quality of Dierdre Smith of Strawberry/Valley of the Giants), mix and mash, and you have Espers.
As I was saying, this Espers disc is a paradox. The music is traditional, yet avant-garde; haunting, yet calming; beautiful, yet dissonant; spiritual but not religious. It makes me feel like I'm wandering through a forest glade, disconnected and floaty, viewing everything through a fuzzed-out acid-washed tie-dye filter.
To me, Espers is revolutionary. My eyes (and ears) have opened to yet another genre. I have little doubt that this disc will end up on my top 10 (perhaps top 5?) of the year.
- Chris
Espers consists of Greg Weeks, Meg Baird, and Brooke Sietensons. Apparently Greg Weeks is rather well-known amongst the psychedelic/drone/acid-folk scene (yes, there is an entire subgenre of this stuff) but this is my first encounter with the music in general.
So what, exactly, is Espers? Well, imagine the traditional folk music of Scandinavia (metal fans, see Ulver's Kveldssanger for a reference), although it doesn't sound pagan or even Scandinavian. (As you'll see shortly, Espers' music is full of paradoxes.) Then imagine this folk music -- played beautifully, full of melody and life -- informed by several traditions from the '60s and '70s, namely minimalism/drone music and acid/psychedelic rock. Then, add absolutely gorgeous, lush, sonorous vocals (male and female; the female vocals have the same lush, sweet, silky quality of Dierdre Smith of Strawberry/Valley of the Giants), mix and mash, and you have Espers.
As I was saying, this Espers disc is a paradox. The music is traditional, yet avant-garde; haunting, yet calming; beautiful, yet dissonant; spiritual but not religious. It makes me feel like I'm wandering through a forest glade, disconnected and floaty, viewing everything through a fuzzed-out acid-washed tie-dye filter.
To me, Espers is revolutionary. My eyes (and ears) have opened to yet another genre. I have little doubt that this disc will end up on my top 10 (perhaps top 5?) of the year.
- Chris