Now on to the legendary MH335DW. When it first came out, the jury was divided about the double woofers. There were those who loved the full body it brought to a full BA set up that they never thought was possible with BA drivers. Others felt that there was too much of bass bleed into the mids and, as a result, also seemed to stymie the treble extension. What I finally figured out was that it had great synergy with sliver cables. The silver cables tightened up the bass and as a consequence the mids and trebles were no longer overwhelmed. That’s when it dawned on me what Suyama-San had managed to do: with 5 BA drivers, he had managed to create a full soundstage: it was not just wide but was also deep. It was a true 3D soundstage.
I was discussing with
@Eric Chong earlier today when I had a chance to sneak in about 10 minutes of listening in between endless meetings and was relating to him what the Plato 8 brought to the table with the MH335DWSR. He wondered how the Plato 8 would play with the MH335DW. So, I had a listen. I think it does add further note weight to the sound of the MH335DW. The body was full and textured. But I already had the Toxic Cables Aries which the late Frank made cos he knew that I was struggling to tame the bass of the MH335DW. And in my view, the MH335DWSR scaled up more with the Plato 8. Not that the MH335DW did not benefit from the Plato 8. But It is more that the MH335DWSR needed the Plato 8 more.