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Grados may be hand-built one at a time, but I don't think that necessarily contributes to their build quality. Sure, I like their sound and even their looks, but they're kind of flimsy and seem to vary from pair to pair in their construction, indicating a lack of consistency and quality control. |
i have as yet never had a reliability or and other issue with Grado cans exept for a couple of self destructs that were fixable.and that is part of the intent .
I remember when the original grado headphones came out.Can't remeber the exact year but the Audio Advisor catalog was only 5X7 inches if that is a help
They were not intended as a consumer can at first but as a professional monitor for the studio and the design reflected that :
1-Matched drivers
2-the earcups allowed the headphones to be set with the earpads flat on the console so they were out of the way instead of sticking up and in the way
3-the design was one that was easily serviced by removing and popping on whatever broke because of the way the parts attached
That last is no accident and neither is the resemblance to military and avionic cans,another area where servicability is paramount so the parts need to be easily replaced without tools or at worst,the minimum of tools such as a pocket knife.I have repaired my cans in the woods after some nasty "endoes" while mtn.biking and after a second or two of popping the parts back on and brushing myself off it was back to hammering the trail.
Can anyone say there is an easier headphone to take apart and put back together withpout screwing it up ?
but the two originals were extremely expensive for the time and even in todays market would be considered high end.The pair with the phase switches more so.
But that was Joe Grado.John Grado took the basic design and re-voiced for music in the home AND offered models at all price points.So from the "all out ' studio cans which most could not afford but were built like a tank to consumer grade cans at a more reasonable price but as lower priced versions do,with reduced "quality" of parts such as plastic where once was metal at that price.
You don't build a $1,000 headphone and sell it for $60.At least I would not.
And yet,because of the difference in look and method of construction there is not much gray area with grados.Love them or hate them and not many fence sitters.
But whatever model is used to voice them it is a sound that suits me and my listening style like no other headphone.I like dynamics over absolute detail and prefer to have the "feel" of the live event from loud to soft over absolute harmonic accuracy.You can stand in different areas at a concert and it will sound different depending on where you are but the impact of the live event remains no matter if you are in the bathroom.You KNOW when the band quit and the "filler" music between bands is turned on even without seeing it and even though it is the SAME sound system playing the music as the band played through.
yeah,i like the grado impact over all headphones i have so far listened to and they do the "big event" better to my ears than any other.For the solo instrument or single vocalalist have my 'stats even though they sit on the stand mostly unsused.
Just me and what i like.