While I will agree with your statement in regards that sonic compression can in fact can really open up a mix and make it sound great, when
used properly. Unfortunately over the past 15 years it seems that sound engineers have all graduated from the school of blast your ears and mangle the fidelity. There is a HUGE difference between sonic compression, and heavy sonic compression which is found in 99% of my 14000+ songs in my library that were produced AFTER 2000. This is due to one reason; cheap and abundant low quality gear found in tech devices such as laptop speakers, tablets/smartphones, bluetooth devices, cheap pack-in ear-buds, and Beats (I had to throw that in). The greater quality the gear, the more apparent (modern) sonic compression is to ones ears. On my sub $100 headphones/IEMs I simply can not hear any distortion sonic compression creates, but as I move up the line from say my Atlas to my HD 598, compressed audio sounds like poo. Ok, not every compressed song sounds like total poo (i.e. Garbage and Queensryche sound great), but over all, and especially compared to anything recorded, mastered, and presented in 24/96+, compressed music on good gear is less than stellar. The loss of quality is noticeable and unacceptable, regardless if one used headphones or loudspeakers.
My 2 cents: If one thinks that Dr. Chesky's Ultimate Headphone Demo disc is flat, unimpressive, or gimmicky, I suggest checking your gear or learn to listen and appreciate better.