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not tried looking at the pearl harbour disc but standard stereo streams are usually 192k ac3... tiny... but ac3 in some ways is inferior to mp3 i believe.. more specialised at adding in the extra channels... i dunno.. I just wonder how much of the spatialisation of dolby headphone survives a 192k encode... if its more that'd be good.. don't even know if its possible to go higher with stereo AC3... |
try not to get hung up on the specs .We are not talking about reproducing hi res music for critical listening but enjoying movies with full surround over headphones.
A good 80% of any soundtrack will be dialog,the rest just "noise" for ambient sound and then there are the FX sounds , explosions.flyovers,etc.
For these signals dolby headphone (or any surround format) is more than adequate.I have listened on an encoded DVD and I have been convinced.
There is nothing like the audio cues agreeing with the visual
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my point being that AC3 being a lossy perceptual codec means that it could decided a lot of the triggers for dolby headphones magic are not required to be encoded perfectly.. |
Again ,apply movie standards and not what you would consider good for music .
Even when I watch videos on the "big rig" I adjust everything differently.
I would NEVER consider using a bass boost for music but I do for surround.Just SOUNDS better,more dramatic.
consider : you are watching a movie,the sound is just just loafing along,mostlydialog or "quiet action" and...
[size=medium]WHAMMO ![/size]
You jump damn near out the window , as you are meant to reract
Where there was ZERO bass a momentago now hits you right between the eyes (and gut) .
this is not a natural effect in music but is EXACTLY what happens in life .You are reading or doing some other "quiet" endevour and all of a sudden someone drops a damn can of chunky soup on as hardwood floor
You jump of course
And to be honest ,I use a passive surround matrix on my big rig .
ALL active decoders I have used sounded bad . The ones I heard and could tolerateI could not afford.
Some kind of "croaky/hollow/steely thing going on , not to mention all the digital stages between the input and output of the average receiver ,even in the "stereo" mode (the DSP is still in circuit).
My passive "hafler" setup has a twist though.
The main or "front" channels are pure,direct to the speakers from the amp .
A second speaker cable goes to the input of Dyna ST-120 power amp through resistoor matrix to a a Dynaco QD-1 MK ll Passive Surround system box.
In this manner the center and rear channels are driven from an entirely different amp even though the system is technically passive .
The 'main" stays unchanged.
This is the FIRST so called surround setup I have used extensively that i actually use with music (center off mostly).
With live albums it sounds great.
Studio recordings not so great,some real bad.
So the point is ,music has one requirement ,movies another.
You can enjoy a home theater with much less outlay than you could with music only systems.
I STILL want my Dolby Headphone NOW DAMMIT !