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Headphoneus Supremus
- Joined
- Mar 25, 2005
- Posts
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For everyone who says that they avoid EQ because they don't want to change what the mixing/master engineer did:
The mixing and mastering engineers did not do their mixes on your system. They did not listen to their mix in your room, or through your cans.
Moreover, they did not mix and master with the expectation that their work would be played back on nearfield studio monitors in a controlled studio setting. They probably mixed at a moderate-to-loud volume, but also listened to their work at both a very high and very low volume, and made compromises so that the mix would be acceptable at various volumes and on a wide variety of systems.
I'm not a big fan of using large amounts of EQ to completely change the sound signature of a recording, but from the perspective of someone who has participated in many mixing sessions, I don't find anything wrong with the judicious use of EQ to compensate for the playback system or environment or personal preference. I find the "we must hear it like the engineer heard it" mentality to be quite flawed.
The mixing and mastering engineers did not do their mixes on your system. They did not listen to their mix in your room, or through your cans.
Moreover, they did not mix and master with the expectation that their work would be played back on nearfield studio monitors in a controlled studio setting. They probably mixed at a moderate-to-loud volume, but also listened to their work at both a very high and very low volume, and made compromises so that the mix would be acceptable at various volumes and on a wide variety of systems.
I'm not a big fan of using large amounts of EQ to completely change the sound signature of a recording, but from the perspective of someone who has participated in many mixing sessions, I don't find anything wrong with the judicious use of EQ to compensate for the playback system or environment or personal preference. I find the "we must hear it like the engineer heard it" mentality to be quite flawed.