Okay, I'm starting to get self conscious. Every time I hand a player to someone that I've been listening to, they turn it down. My audiophile friends like @Takeanidea and @pedalhead probably wonder at whether I'm going deaf or something. They turn it down a lot. I don't know if it's that they are older, or if it's that I like to listen too damn loud.
Those who have read my reviews and my about me will know that I like to listen where dynamics peak, and that I volume match headphones at 78dB (usually) up to 82dB using white noise and an SPL meter. My listening level is about equal volume to a busy street, and quieter than the subway. I can attest to both of these. These numbers are within the safe listening range. In fact headphones designed to protect child hearing limit dB levels at 85dB by physician recommendation--it's medical, folks. However, I don't just sit and listen to white noise, so I decided to do some tests on peak dB on other tracks I like.
I did this test using the iBasso DX50 as a standalone DAC, the Vibro Labs Maya as the IEM, and playing tracks with volume leveling on in JRiver Media Centre. Computer volume will be set to max to allow complete control of volume by the iBasso DX50. If I've turned volume leveling off--it often doesn't know what the hell to do with metal--then I've marked this with an X in the third column. I start by setting the volume to 78dB using white noise and my SPL meter. It should also be noted that DSD files can't be volume leveled, so I'll not be playing any of those, no matter how much I love you SACD rip of Wish You Were Here.
So, looks like I'm not going to murder my eardrums. Those peak levels, with the exception of Unleash the Archers, only lasted for about 1/2 a second each, with average levels being about 10dB to 15dB lower on almost all tracks. Modern tracks lacking in dynamic range had the smallest difference between peak volume and average volume, which is no surprise. When I turned volume leveling off on Unleash the Archers I manually adjusted the volume to where I like to listen, and it was revealing. If I spend all my time listening to metal like Daughters of Winterstone, I might have a problem, but with my eclectic tastes I'm probably all right. On the next track, the volume got too loud on average, so I turned it down.
I'd like to challenge anyone else to do a test similar to what I've done. I know some folks like @Brooko have SPL meters. I think this can be a fun bit of science. Maybe this gets some folks using SPL meters and volume matching down the line. That would be awesome, as knowing comparative listening volumes are really important.
Should this be in the Sound Science forum?
Those who have read my reviews and my about me will know that I like to listen where dynamics peak, and that I volume match headphones at 78dB (usually) up to 82dB using white noise and an SPL meter. My listening level is about equal volume to a busy street, and quieter than the subway. I can attest to both of these. These numbers are within the safe listening range. In fact headphones designed to protect child hearing limit dB levels at 85dB by physician recommendation--it's medical, folks. However, I don't just sit and listen to white noise, so I decided to do some tests on peak dB on other tracks I like.
I did this test using the iBasso DX50 as a standalone DAC, the Vibro Labs Maya as the IEM, and playing tracks with volume leveling on in JRiver Media Centre. Computer volume will be set to max to allow complete control of volume by the iBasso DX50. If I've turned volume leveling off--it often doesn't know what the hell to do with metal--then I've marked this with an X in the third column. I start by setting the volume to 78dB using white noise and my SPL meter. It should also be noted that DSD files can't be volume leveled, so I'll not be playing any of those, no matter how much I love you SACD rip of Wish You Were Here.
Track | Approximate peak observed dB | Volume levelling off |
Ayre Acoustics - White Noise | 78.4 | |
2Pac - God Bless the Dead | 82.4 | |
Anamanaguchi - Prom Night | 90.1 | |
Amber Rubarth - Washing Day | 70.6 | |
Weezer - Across the Sea | 84.0 | |
Perturbator - Perturbator's Theme | 83.3 | |
Queen - Father to Son | 87.1 | |
Charles Mingus - Eat That Chicken | 84.3 | |
Kuniko - Pleiades 1. Melanges | 91.5 | |
Unleash the Archers - Daughters of Winterstone | 91.9 | x |
So, looks like I'm not going to murder my eardrums. Those peak levels, with the exception of Unleash the Archers, only lasted for about 1/2 a second each, with average levels being about 10dB to 15dB lower on almost all tracks. Modern tracks lacking in dynamic range had the smallest difference between peak volume and average volume, which is no surprise. When I turned volume leveling off on Unleash the Archers I manually adjusted the volume to where I like to listen, and it was revealing. If I spend all my time listening to metal like Daughters of Winterstone, I might have a problem, but with my eclectic tastes I'm probably all right. On the next track, the volume got too loud on average, so I turned it down.
I'd like to challenge anyone else to do a test similar to what I've done. I know some folks like @Brooko have SPL meters. I think this can be a fun bit of science. Maybe this gets some folks using SPL meters and volume matching down the line. That would be awesome, as knowing comparative listening volumes are really important.
Should this be in the Sound Science forum?