Digital Audio Signals and How They Really Behave In the Real World
Feb 27, 2013 at 1:57 PM Post #6 of 27
Thanks, it's just that I'm a digi-comm dood slowly learning audio stuff through osmosis
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Feb 27, 2013 at 4:39 PM Post #7 of 27
Try that with a non-oversampling (in other words broken) DAC. Muahahahahahahaaaaaaaaa...
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This should be a must-watch for everyone on H-F interested in digital audio.
 
Feb 27, 2013 at 10:54 PM Post #9 of 27
You can always use the money on new headphones or a speaker system!
 
Feb 28, 2013 at 12:49 PM Post #11 of 27
That would be completely overkill (i.e. an order of magnitude beyond audibility). I have an O2/ODAC and that's already overkill (though much more affordable).
Well there are good reasons to go with a Sabre DAC compared to most other ΣΔ DACs, even if the specs are "below the threshold of audibility" as there are some characteristics that are difficult to measure, that are audible.

http://www.esstech.com/pdf/noise-shaping-sigma-delta.pdf (starting around page 29)

The O2+ODAC is certainly a good solution, but I need more than just a USB input, and if I'm buying an external DAC, I would like to be able to use it for a stereo speaker setup as well, rather than just headphones. The Benchmark DAC2 has a lot of good connectivity, and remote control, which would be very nice to have in my setup. Unfortunately I don't know of anything cheaper that has similar functionality. (you can certainly spend less for equivalent performance)
 
Feb 28, 2013 at 1:13 PM Post #12 of 27
You could get a standalone ODAC, and a standalone O2, use a stereo splitter to connect the ODAC's line out to both your speaker amplifier and the O2. Just a thought though, maybe there's an equally performing, but more convenient, solution.
I've seen a mod in the classifieds here of an O2/ODAC combo with an extra RCA line-out.
 
Feb 28, 2013 at 1:18 PM Post #13 of 27
Quote:
Well there are good reasons to go with a Sabre DAC compared to most other ΣΔ DACs, even if the specs are "below the threshold of audibility" as there are some characteristics that are difficult to measure, that are audible.

Good marketing reasons, yes. It makes little sense to worry about noise that fluctuates from -112 to -102 dB when you're listening to music on CDs (16 bit). And I'm sure ESS didn't pick a very high performance competitive product for this presentation either.
 
Even if ESS is saying they did blind tests etc. why are they not publishing these findings in journals? How were these blind tests conducted? What were the results other than "someone could hear a difference"? ...
 
Bottom line: more marketing than science in that presentation, imho.
 
Feb 28, 2013 at 1:32 PM Post #14 of 27
I want my inaudible noise shaped nicely!
 
Mar 1, 2013 at 1:46 PM Post #15 of 27
Quote:
Good marketing reasons, yes. It makes little sense to worry about noise that fluctuates from -112 to -102 dB when you're listening to music on CDs (16 bit). And I'm sure ESS didn't pick a very high performance competitive product for this presentation either.

 
Could that effect be responsible for the pops and clicks (amplified by 40 dB) in this file ? The onboard codec from which it was recorded does have some noise modulation issues, but it could also be simple interference. This other file recorded from a sound card does not have such artifacts.
 

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