Ok, maybe my search for a DAC might go more smoothly if I understood a little bit more about the chips that make them go. I don't need to understand (nor do I think I could) too much about the specifics, but then again I know nothing so feel free to educate me.
On ebay and other places, for the cheapie USB DAC (Go Vibe, Hotaudio, etc.) they usually list just a single DAC usually the PCM2702 or maybe PCM2705. I assumed that this took the digital signal from the computer via USB and then converted it to analog for the headphone jack. Larry (aka Headphoneaddict) pointed out to me that the hierarchy of quality isn't linear, as the PCM2702E is a better chip than the PCM2706. So even if I got the schematic right, the chip hierarchy still confuses me (anyone have a list?)
But then I see something like the Ibasso D10 that generally gets excellent reviews for its DAC, along with the Pico and the Headroom Micro DAC and they list out 3 different chips, all of which are some sort of d/a coverters to my puny brain. For instance the D10 lists out:
- PCM2906, converts USB into a S/PDIF signal
- CS8416, DA-receiver chip
- WM8740, D/A chip
Ok, they are all d/a chips, right? And from the numbers and general internet research are all top notch from their prospective manufacturers. But why all three? The simpler DACs just list a single chip. Is the signal really being converted 3 times? Is it the cumulative effect of these in series that produce the great sound? The Pico doesn't list all the stages, but does say they use the WM8740. I am assuming there is more magic going on there right? The Headamp Micro uses 3 sets up chips, but they are all from Cirrus including the CS8416 that the D10 uses. I have seen the exact same chips used in the Gigawork assembled board found on ebay, which goes for $200 less (perhaps a clone?)
And then there is the newest Headstage USB DAC in a cable which describes itself this way:
The cable uses Texas Instrument's 16-bit PCM2707 USB DAC receiver which sends the digital data to the Wolfson WM8740 high-end DAC. The ultra-low noise AD8656 is used to buffer the DAC.
This thing is $60 and uses the same Wolfson chip as the Pico and the D10. It is also looks to be the size of a large tootsie roll as opposed to a little box.
I absolutely understand that there is more to just the chips that make one DAC better than another, but I don't know much about any of it. Can I even guess how something sounds based on the chips used? Now the Pico is one beautiful piece of kit and I have certainly been known to pay a premium for something pretty (and of high quality craftmanship), but $60 vs $300 is very big to me.
Gigawork vs Headroom Micro is really curious to me because of the identical chip list.
Is there a relatively simple guide to sorting through all of this? Everyone hears differently so personal opinions only go so far. Is there a way to make maybe a more consistent comparison based on chipsets? I guess I can understand a little bit since I used to build computers. I can use the same top of the line processor, but if I use a cheapo motherboard or very slow ram, I can lose some performance, but at least in my experience there, I never noticed the gaps to be that big.
I have a pathological need to find the best deal I can, so I keep thinking I can outsmart somebody (not sure who even), by finding the good chips in cheap enclosures that will compete with commercial DAC's. If I had the time, steady hands, electrical engineering knowledge, I would totally build some Frankenstein of my own, but I have none of those. So I comb the forums looking for little nuggets, but I am kind of lost. The easy answer is to throw down $500-1000 and KNOW that I am getting something really good, but I think I could only ever be happy if I found something that sounded that good for $100-300.
Can someone throw me a bone or two and explain a little bit of this to me? Why is the D10 so much better than the Headstage? What should I look for besides good reviews when I am doing my research?
Thanks!
On ebay and other places, for the cheapie USB DAC (Go Vibe, Hotaudio, etc.) they usually list just a single DAC usually the PCM2702 or maybe PCM2705. I assumed that this took the digital signal from the computer via USB and then converted it to analog for the headphone jack. Larry (aka Headphoneaddict) pointed out to me that the hierarchy of quality isn't linear, as the PCM2702E is a better chip than the PCM2706. So even if I got the schematic right, the chip hierarchy still confuses me (anyone have a list?)
But then I see something like the Ibasso D10 that generally gets excellent reviews for its DAC, along with the Pico and the Headroom Micro DAC and they list out 3 different chips, all of which are some sort of d/a coverters to my puny brain. For instance the D10 lists out:
- PCM2906, converts USB into a S/PDIF signal
- CS8416, DA-receiver chip
- WM8740, D/A chip
Ok, they are all d/a chips, right? And from the numbers and general internet research are all top notch from their prospective manufacturers. But why all three? The simpler DACs just list a single chip. Is the signal really being converted 3 times? Is it the cumulative effect of these in series that produce the great sound? The Pico doesn't list all the stages, but does say they use the WM8740. I am assuming there is more magic going on there right? The Headamp Micro uses 3 sets up chips, but they are all from Cirrus including the CS8416 that the D10 uses. I have seen the exact same chips used in the Gigawork assembled board found on ebay, which goes for $200 less (perhaps a clone?)
And then there is the newest Headstage USB DAC in a cable which describes itself this way:
The cable uses Texas Instrument's 16-bit PCM2707 USB DAC receiver which sends the digital data to the Wolfson WM8740 high-end DAC. The ultra-low noise AD8656 is used to buffer the DAC.
This thing is $60 and uses the same Wolfson chip as the Pico and the D10. It is also looks to be the size of a large tootsie roll as opposed to a little box.
I absolutely understand that there is more to just the chips that make one DAC better than another, but I don't know much about any of it. Can I even guess how something sounds based on the chips used? Now the Pico is one beautiful piece of kit and I have certainly been known to pay a premium for something pretty (and of high quality craftmanship), but $60 vs $300 is very big to me.
Gigawork vs Headroom Micro is really curious to me because of the identical chip list.
Is there a relatively simple guide to sorting through all of this? Everyone hears differently so personal opinions only go so far. Is there a way to make maybe a more consistent comparison based on chipsets? I guess I can understand a little bit since I used to build computers. I can use the same top of the line processor, but if I use a cheapo motherboard or very slow ram, I can lose some performance, but at least in my experience there, I never noticed the gaps to be that big.
I have a pathological need to find the best deal I can, so I keep thinking I can outsmart somebody (not sure who even), by finding the good chips in cheap enclosures that will compete with commercial DAC's. If I had the time, steady hands, electrical engineering knowledge, I would totally build some Frankenstein of my own, but I have none of those. So I comb the forums looking for little nuggets, but I am kind of lost. The easy answer is to throw down $500-1000 and KNOW that I am getting something really good, but I think I could only ever be happy if I found something that sounded that good for $100-300.
Can someone throw me a bone or two and explain a little bit of this to me? Why is the D10 so much better than the Headstage? What should I look for besides good reviews when I am doing my research?
Thanks!