expatcortona
New Head-Fier
- Joined
- Jan 8, 2010
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I am not a head-fi audiophile. I listen to floorstanding open baffle speakers. But since this thread is dealing with Denafrips, I thought I would post here anyway. Because, at the end of the day, when it comes to sound reproduction the principals are the same.
I own a Denafrips Terminator which has not yet arrived to me yet. I ordered it a couple of days ago and Alvin tells me that it will be sent out to me on Monday Sept 17.
However, even though I don't have my Terminator in my possession as yet, I can comment on the Terminator's performance as compared to my AMR DP 777 SE because for the last 8 days I have had a demoTerminator in my house that is touring here in Italy. I was the second on the list to receive this unit and by the time it got to me it had about 300 hours on it... so it was well broken in.
My AMR DP 777 SE is a wonderful DAC. In nearly every parameter it is the equal of the Terminator. Both present a wide deep soundstage with excellent holographic imaging. I am talking about the kind of sound stage that goes not only beyond the speakers, but beyond all three walls. Instruments and voices are well defined and well placed within that soundstage. Both DACs present a lush sound and warm sound... but not overly warm... which is very smooth and analogue... nothing digital about the sound that either produces. I can listen to either of them for hours on end without ever suffering any listening fatigue. And while both manage to present lots of detail they remain musical... never sounding analytical.
Where the Terminator surpasses the AMR, where it truly shines, is in its ability to reproduce the sound of real instruments. Instruments as reproduced by the Terminator are simply more accurate.
I think I understand the ''why'' of this difference. A vibrating note produces a fundamental tone to which are attached harmonic tones which are higher in frequency and more subtle than the fundamental. It is these harmonics that the brain picks up and uses to distinguish the differences between instruments. They are what distinguishes the sound of a violin from a cello, from a guitar... an oboe from a clarinet, from a saxophone... etc. This is what we hear when listening to real acoustic instruments, non amplified, in real world settings.
As I hear it, the DP seems to produce the fundamental note with less of the harmonics... The Terminator produces the same fundamental note with more of the harmonics... thus gifting me with a more complete sensation of hearing a real instrument.
And that, for me, is a very satisfying... an emotionally very satisfying... experience. The Terminator provided me with a more emotional connection to the music.
And that is why I had to buy one.
While I had the Terminator here, I listened primarily to it, using the AMR only when I was effecting a real comparison. The Terminator would not let me read while listening. It demanded that I pay attention... and I did, even up to 3 or 4 in the morning.
And even then I had a hard time tearing myself away...
''just one more song... just one more song.''
I own a Denafrips Terminator which has not yet arrived to me yet. I ordered it a couple of days ago and Alvin tells me that it will be sent out to me on Monday Sept 17.
However, even though I don't have my Terminator in my possession as yet, I can comment on the Terminator's performance as compared to my AMR DP 777 SE because for the last 8 days I have had a demoTerminator in my house that is touring here in Italy. I was the second on the list to receive this unit and by the time it got to me it had about 300 hours on it... so it was well broken in.
My AMR DP 777 SE is a wonderful DAC. In nearly every parameter it is the equal of the Terminator. Both present a wide deep soundstage with excellent holographic imaging. I am talking about the kind of sound stage that goes not only beyond the speakers, but beyond all three walls. Instruments and voices are well defined and well placed within that soundstage. Both DACs present a lush sound and warm sound... but not overly warm... which is very smooth and analogue... nothing digital about the sound that either produces. I can listen to either of them for hours on end without ever suffering any listening fatigue. And while both manage to present lots of detail they remain musical... never sounding analytical.
Where the Terminator surpasses the AMR, where it truly shines, is in its ability to reproduce the sound of real instruments. Instruments as reproduced by the Terminator are simply more accurate.
I think I understand the ''why'' of this difference. A vibrating note produces a fundamental tone to which are attached harmonic tones which are higher in frequency and more subtle than the fundamental. It is these harmonics that the brain picks up and uses to distinguish the differences between instruments. They are what distinguishes the sound of a violin from a cello, from a guitar... an oboe from a clarinet, from a saxophone... etc. This is what we hear when listening to real acoustic instruments, non amplified, in real world settings.
As I hear it, the DP seems to produce the fundamental note with less of the harmonics... The Terminator produces the same fundamental note with more of the harmonics... thus gifting me with a more complete sensation of hearing a real instrument.
And that, for me, is a very satisfying... an emotionally very satisfying... experience. The Terminator provided me with a more emotional connection to the music.
And that is why I had to buy one.
While I had the Terminator here, I listened primarily to it, using the AMR only when I was effecting a real comparison. The Terminator would not let me read while listening. It demanded that I pay attention... and I did, even up to 3 or 4 in the morning.
And even then I had a hard time tearing myself away...
''just one more song... just one more song.''
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