gerG
Headphoneus Supremus
Fair warning: this conspicuously inconcise assemblage of verbosity contains ultra low frequency information which may result in an inexplicable craving for even more audio gear (but honey, we really neeeeed another electronic crossover to complete the system). It is another long winded gerGtome best tolerated with a good single malt and some great jazz. At least, that is how I wrote it
As some of you have no doubt noticed, I am rather fascinated with deep bass response. I have been building subwoofer/satellite systems as a hobby since it became logical to me to build a pair of 8" Phillips woofers into the back of my 69 Dodge Super Bee with a hand made x-over to augment a pair of "fake ads 200" speakers. This affront to the gods of horsepower occurred back in 1980. Unfortunately I was years ahead of the trend, and my friends just thought I was nuts. Actually they thought that for other reasons, and this just sort of fit the pattern. I was never part of the boom-boom crowd. I was after that elusive quality of realism that I have yet to achieve.
Somewhere along the line I decided that a system using "full range" speakers crossed over to some serious infra-woofers at around 50 hz would be very dynamic, accurate, and giggles galore. I set a goal of a sub that would do 110db (each, muahahaha...ahem) at 20 hz with low distortion levels. I don't know which of my scotch adulterated brain cells came up with this target, but it ain't easy! Nevertheless, my recent outdoor project subwoofers were designed to meet this goal. 10 cubic foot monsters using 16" cast frame JBL woofers in a wrapped bandpass layout (I will explain that one on another day, with photos even). I originally designed them with 2 6" ID (3 ft long) ports. Due to the twin tubes I dubbed them the "shotgun subs". I later changed the design and used an integral rectangular duct. No problem: I dropped the t and now I have the "Shoguns". Btw, can there be 2 shoguns?
I built the prototypes out of a material called multi-core. 13 ply Baltic birch was my first choice, but it only comes in 5x5 sheets, and dumb-dumb me laid out the cuts assuming a 4x8 sheet. The multi-core was a mistake. It likes to warp, but steadfastly refuses to un-warp. What a pain in the ass to assemble! It is also not quite as tough as high grade plywood. Nice maple veneer, but ugly edges. I had intended to bondo the edges, radius all corners, and spray them with gloss white urethane. Great for outdoor duty.
These beasties are big: 18"x24"x50". They are not very heavy, but no way can I move one by myself. A hand truck is required. Filled with anticipation I set them up with some small satellites in my outdoor system. Not very impressive. They go deep as hell (and then some) but lacked any sort of punch. Theoretical response is +/- 1 db from 20 hz to 70 hz. They drop like a rock on either side of the bandpass. (That is, if a rock drops at 24 db/octave). I was pissed off and was all set to convert them to a bass reflex, but I decided to drag them indoors and hook them up with my video system just for fun. Mains in this system are a pair of ADS 1290s. Beautiful slender tower using 2 very well made 8" woofers, 2" dome mid, and 3/4" tweeter. Dynamic as hell, with great imaging. I am convinced that ADS (formerly Braun) was about 10 years ahead of the rest of the US manufacturers. My video system currently has a Yamaha DSP-A2070 integrated amp, ADS active x-over, and an HK 870 amp to work the subs. What the hell, it's only my video system. Oh yeah, and my most important piece of audio gear: a gorgeous Ekornes Mobilo II chair! Why should my ears have all the fun? If you don't have one of these yet, get one!
I stood the shoguns up in the front corners of the room, which orients (subtle pun) the ducts downfiring about 2' from the side walls. The result is astounding. I have never heard bass response like this. Tight, controlled, quite punchy, and deeper than I can hear. My Richter Scale reads flat response down to 30, then a gradual increase to +3db at 20 with no equalization. Weeeeeeeeeeeeeeeee! I began by listening to some jazz which was recorded with a wide dynamic range (Flim and the BBs). The percussion was especially amazing in it's realism. I eventually worked my way up to the Telarc recording of the 1812 overture for a very inspiring listen. The cannon shots were making me flinch. Kind of like firing a 44 mag. What fun. I am not even close to pushing the capabilities of this setup, and it is frightening me.
Now, here is the punch line (not so subtle pun). Several days later when I was getting up to get ready for work, I heard water running. Very faint, like a faucet just slightly open in the other end of the house. Some investigative listening, and later confirmation by a leak detection service, indicated that I have a broken water line under the concrete pad of my house. An interesting coincidence, don't you think? Never mind the fact that I can actually feel low frequency vibrations through the concrete when I play this system.
There is probably a moral to this story, but I choose to ignore it. Keiko just got tired of shaking the earth. Time for some Tom Scott!
Adios audios
gerG
As some of you have no doubt noticed, I am rather fascinated with deep bass response. I have been building subwoofer/satellite systems as a hobby since it became logical to me to build a pair of 8" Phillips woofers into the back of my 69 Dodge Super Bee with a hand made x-over to augment a pair of "fake ads 200" speakers. This affront to the gods of horsepower occurred back in 1980. Unfortunately I was years ahead of the trend, and my friends just thought I was nuts. Actually they thought that for other reasons, and this just sort of fit the pattern. I was never part of the boom-boom crowd. I was after that elusive quality of realism that I have yet to achieve.
Somewhere along the line I decided that a system using "full range" speakers crossed over to some serious infra-woofers at around 50 hz would be very dynamic, accurate, and giggles galore. I set a goal of a sub that would do 110db (each, muahahaha...ahem) at 20 hz with low distortion levels. I don't know which of my scotch adulterated brain cells came up with this target, but it ain't easy! Nevertheless, my recent outdoor project subwoofers were designed to meet this goal. 10 cubic foot monsters using 16" cast frame JBL woofers in a wrapped bandpass layout (I will explain that one on another day, with photos even). I originally designed them with 2 6" ID (3 ft long) ports. Due to the twin tubes I dubbed them the "shotgun subs". I later changed the design and used an integral rectangular duct. No problem: I dropped the t and now I have the "Shoguns". Btw, can there be 2 shoguns?
I built the prototypes out of a material called multi-core. 13 ply Baltic birch was my first choice, but it only comes in 5x5 sheets, and dumb-dumb me laid out the cuts assuming a 4x8 sheet. The multi-core was a mistake. It likes to warp, but steadfastly refuses to un-warp. What a pain in the ass to assemble! It is also not quite as tough as high grade plywood. Nice maple veneer, but ugly edges. I had intended to bondo the edges, radius all corners, and spray them with gloss white urethane. Great for outdoor duty.
These beasties are big: 18"x24"x50". They are not very heavy, but no way can I move one by myself. A hand truck is required. Filled with anticipation I set them up with some small satellites in my outdoor system. Not very impressive. They go deep as hell (and then some) but lacked any sort of punch. Theoretical response is +/- 1 db from 20 hz to 70 hz. They drop like a rock on either side of the bandpass. (That is, if a rock drops at 24 db/octave). I was pissed off and was all set to convert them to a bass reflex, but I decided to drag them indoors and hook them up with my video system just for fun. Mains in this system are a pair of ADS 1290s. Beautiful slender tower using 2 very well made 8" woofers, 2" dome mid, and 3/4" tweeter. Dynamic as hell, with great imaging. I am convinced that ADS (formerly Braun) was about 10 years ahead of the rest of the US manufacturers. My video system currently has a Yamaha DSP-A2070 integrated amp, ADS active x-over, and an HK 870 amp to work the subs. What the hell, it's only my video system. Oh yeah, and my most important piece of audio gear: a gorgeous Ekornes Mobilo II chair! Why should my ears have all the fun? If you don't have one of these yet, get one!
I stood the shoguns up in the front corners of the room, which orients (subtle pun) the ducts downfiring about 2' from the side walls. The result is astounding. I have never heard bass response like this. Tight, controlled, quite punchy, and deeper than I can hear. My Richter Scale reads flat response down to 30, then a gradual increase to +3db at 20 with no equalization. Weeeeeeeeeeeeeeeee! I began by listening to some jazz which was recorded with a wide dynamic range (Flim and the BBs). The percussion was especially amazing in it's realism. I eventually worked my way up to the Telarc recording of the 1812 overture for a very inspiring listen. The cannon shots were making me flinch. Kind of like firing a 44 mag. What fun. I am not even close to pushing the capabilities of this setup, and it is frightening me.
Now, here is the punch line (not so subtle pun). Several days later when I was getting up to get ready for work, I heard water running. Very faint, like a faucet just slightly open in the other end of the house. Some investigative listening, and later confirmation by a leak detection service, indicated that I have a broken water line under the concrete pad of my house. An interesting coincidence, don't you think? Never mind the fact that I can actually feel low frequency vibrations through the concrete when I play this system.
There is probably a moral to this story, but I choose to ignore it. Keiko just got tired of shaking the earth. Time for some Tom Scott!
Adios audios
gerG