Don Quichotte
500+ Head-Fier
Hi!
I've done a lot of research on head-fi about the gear I am about to buy (external Dac + headphones) and, with the help of some nice guys here, I narrowed it down to Stax 3030 system (which I've heard, but with a warm source) + one of the following: Apogee Mini-Dac, Benchmark and Aqvox. Now, Aqvox seems promising, but it's said to have a somewhat Sennheiser-like tonal balance, something I don't want for my Mackie HR824 monitors, so the main contenders are the Dac 1 and the Mini-Dac.
So, long story short, Apogee or Benchmark for the Staxes (assuming both are OK for the Mackies...)? I would very much appreciate some going into detail here (pros and cons for each choice, if I'm not asking too much). It's much easier for me to buy a Benchmark than an Apogee and I hope to be able to listen to this combination (Benchmark + Stax) before actually buying, but I can not listen to the Apogee. From the sound descriptions I read it seems that the Apogee might be a better match tonally, is this true? Can I tweak a bit the Benchmark + Stax tonal response with a somewhat darker / fuller sounding interconnect?
For those of you patient enough to read on, some more details on my listening preferences could help you give me a better "tuned" advice:
- I listen especially to jazz and classical, but also other genres.
- I like an open, airy and neutral or slightly dry sound (but not overly bright in the treble - could have neutral or SLIGHTLY elevated or recessed treble) with good dynamics. A richer palette of dynamic nuances equals a more expressive music reproduction for me. I'm basicly describing the K501 midrange, I know...
- The correct, uncoloured but colorful - if you know what I mean - reproduction of the acoustic instruments is extremely important for me. The different timbres should be just as, well, different as in reality. The separation of the instruments (timbrally as well as in the soundstage) should be very easy for the ear. From these points of view I expect to get an even better sound than from my current K501.
- I'm in the "There's no such thing as too much detail" camp.
- I cannot stand: closed-in midrange, compressed sound, compressed soundstage, obvious colorations (especially muddy sound, overly sweet or overly warm - as Sennheiser HD600 seem to my ears) and proeminent peaks or dips (shouty upper mids, for example)
- I'm willing to sacrifice a bit in the following areas: bass punch; ultra-low bass extension (below, say, 30-35 Hz); warmth; the treble can be A BIT recessed (but remaining very extended, this is a must).
Thanks a lot for your help!
I've done a lot of research on head-fi about the gear I am about to buy (external Dac + headphones) and, with the help of some nice guys here, I narrowed it down to Stax 3030 system (which I've heard, but with a warm source) + one of the following: Apogee Mini-Dac, Benchmark and Aqvox. Now, Aqvox seems promising, but it's said to have a somewhat Sennheiser-like tonal balance, something I don't want for my Mackie HR824 monitors, so the main contenders are the Dac 1 and the Mini-Dac.
So, long story short, Apogee or Benchmark for the Staxes (assuming both are OK for the Mackies...)? I would very much appreciate some going into detail here (pros and cons for each choice, if I'm not asking too much). It's much easier for me to buy a Benchmark than an Apogee and I hope to be able to listen to this combination (Benchmark + Stax) before actually buying, but I can not listen to the Apogee. From the sound descriptions I read it seems that the Apogee might be a better match tonally, is this true? Can I tweak a bit the Benchmark + Stax tonal response with a somewhat darker / fuller sounding interconnect?
For those of you patient enough to read on, some more details on my listening preferences could help you give me a better "tuned" advice:
- I listen especially to jazz and classical, but also other genres.
- I like an open, airy and neutral or slightly dry sound (but not overly bright in the treble - could have neutral or SLIGHTLY elevated or recessed treble) with good dynamics. A richer palette of dynamic nuances equals a more expressive music reproduction for me. I'm basicly describing the K501 midrange, I know...
- The correct, uncoloured but colorful - if you know what I mean - reproduction of the acoustic instruments is extremely important for me. The different timbres should be just as, well, different as in reality. The separation of the instruments (timbrally as well as in the soundstage) should be very easy for the ear. From these points of view I expect to get an even better sound than from my current K501.
- I'm in the "There's no such thing as too much detail" camp.
- I cannot stand: closed-in midrange, compressed sound, compressed soundstage, obvious colorations (especially muddy sound, overly sweet or overly warm - as Sennheiser HD600 seem to my ears) and proeminent peaks or dips (shouty upper mids, for example)
- I'm willing to sacrifice a bit in the following areas: bass punch; ultra-low bass extension (below, say, 30-35 Hz); warmth; the treble can be A BIT recessed (but remaining very extended, this is a must).
Thanks a lot for your help!