Quote:
coolvij, Braver said he likes the lyrics, and I wanted to find out what about them he likes. I tried having a general discussion of political lyrics before, but no one seems ever to say anything besides on the most general level. I know this discussion thing can be a bit intimidating. ... |
Yea, that's it, I'm (or is it Braver, or both of us?) am intimidated.
I just felt stating that you thought such lyrics were generally stupid was a bad way to start a discussion but a good way to start argument, know what I mean?
But it seems everyone here is stayin calm and civil.....you can't really blame me for trying to understand what I, wrongly, mistook to be a minor flame.
Head-Fi, as I'm sure you'd agree, isn't a place that anyone wants to see flames take over.
As far as lyrics are concerned, I personally think their only really good stuff, both musically and lyrically, is on the debut album.
Here's Freedom, from the debut:
Solo, I'm a soloist on a solo list
All live, never on a floppy disk
Inka, inka, bottle of ink
Paintings of rebellion
Drawn up by the thoughts I think
The militant poet in once again, check it
It's set up like a deck of cards
They're sending us to early graves
For all the diamonds
They'll use a pair of clubs to beat the spades
With poetry I paint the pictures that hit
More like the murals that fit
Don't turn away
Get in front of it
Brotha, did ya forget ya name?
Did ya lose it on the wall
Playin' tic-tac-toe?
Check the diagonal
Three brothers gone....
Doesn't that make it three in a row?
(and so on)
I think what was interesting about Rage was the rap/grunge/metal combo. I look at the lyrics the same with as I do with decent rap (Public Enemy, The Roots, whatever) - they're more about rythym and overall message than about creating real, beautiful poetry.
I think Freedom is pretty effective - the lyrics have that interesting tic-tac-toe analogy, and they flow fine to my ears.
What's your take?