Artemio
100+ Head-Fier
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- Jul 2, 2007
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I am new around here and am very inclined to measure the gear I find with my limited means. About a year ago I went up to the Home Theater Shack, and learned about their Room Equalization Wizard Software and the use of the BFD. I won't go into much detail here, but you can follow the links and read for yourself if you are so inclined (great information in there for those using speakers and subwoofers).
The thing you need to know is that the REW software is used to measure frequency response and with the BFD you can use the parametric equalizer and a decent microphone (such as the ECM8000) to compensate for the bass response of your room's acoustics and obtain great results. What interests us here is the FR graph. The process is simple, you calibrate your soundcard (the line in and line out jacks) with the help of a single cable that connects them, and trace the response. The software creates the filter to compensate for a flat response from your card. After this you can check out how other equipment affects the FQ response (for example, in case of measuring the subwoofer the response from the mixer used to power the mic).
I though... what about measuring the Corda Move to check out the FR? And so I did when it just arrived. I previously owned a Porta Corda III and did measure it's response, but didn't think of that until after I had done some burn in. But for the Move I did graph the FR before and after. Unfortunately, I made a mistake back then and erased the graph before burn in without the crossfeed filter. The Move burn in process was done with pink noise and it has over 100 hours with several more of music.
I present to you all the graphs I thought would be relevant as information so you can give your thoughts on the subject.
Out of the Box Corda Move with Crossfeed on: (linear scale for Hz)
Out of the Box Corda Move with Crossfeed on: (logarithmic scale for Hz)
Corda Move after burn in with Crossfeed on: (linear scale for Hz)
Corda Move after burn in with Crossfeed on: (log scale for Hz)
Corda Move after burn in with Crossfeed off: (linear scale for Hz)
Corda Move after burn in with Crossfeed off: (log scale for Hz)
[size=small]And the most revealing ones:[/size]
The three graphs: (linear scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
The three graphs: (log scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
I placed a marker on the "The three graphs (linear scale for Hz)" graph for better reference on the impact of these.
Here are the same last two, but overlapped:
The three graphs: (linear scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
The three graphs: (log scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
Personally, I am happy to verify with measurements that there is indeed a change in FR as a result from burn in. Of course this is just a measurement made with a sine wave.
What are your thoughts on these?
The thing you need to know is that the REW software is used to measure frequency response and with the BFD you can use the parametric equalizer and a decent microphone (such as the ECM8000) to compensate for the bass response of your room's acoustics and obtain great results. What interests us here is the FR graph. The process is simple, you calibrate your soundcard (the line in and line out jacks) with the help of a single cable that connects them, and trace the response. The software creates the filter to compensate for a flat response from your card. After this you can check out how other equipment affects the FQ response (for example, in case of measuring the subwoofer the response from the mixer used to power the mic).
I though... what about measuring the Corda Move to check out the FR? And so I did when it just arrived. I previously owned a Porta Corda III and did measure it's response, but didn't think of that until after I had done some burn in. But for the Move I did graph the FR before and after. Unfortunately, I made a mistake back then and erased the graph before burn in without the crossfeed filter. The Move burn in process was done with pink noise and it has over 100 hours with several more of music.
I present to you all the graphs I thought would be relevant as information so you can give your thoughts on the subject.
Out of the Box Corda Move with Crossfeed on: (linear scale for Hz)
Out of the Box Corda Move with Crossfeed on: (logarithmic scale for Hz)
Corda Move after burn in with Crossfeed on: (linear scale for Hz)
Corda Move after burn in with Crossfeed on: (log scale for Hz)
Corda Move after burn in with Crossfeed off: (linear scale for Hz)
Corda Move after burn in with Crossfeed off: (log scale for Hz)
[size=small]And the most revealing ones:[/size]
The three graphs: (linear scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
The three graphs: (log scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
I placed a marker on the "The three graphs (linear scale for Hz)" graph for better reference on the impact of these.
Here are the same last two, but overlapped:
The three graphs: (linear scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
The three graphs: (log scale for Hz)
[size=x-small]Red: New CF On
Green: Burn in CF on
Purple: Burn in CF off[/size]
Personally, I am happy to verify with measurements that there is indeed a change in FR as a result from burn in. Of course this is just a measurement made with a sine wave.
What are your thoughts on these?