shivohum
Keeper of the Quotes
- Joined
- Jun 21, 2001
- Posts
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Every recording system is flawed. Every audio system is flawed. A key audiophile decision in system building is to select which flaws are acceptable and which aren't. I want to better understand how other people have, consciously or unconsciously made these decisions.
1) What are the most important audio qualities in a system for you? Which are you willing to compromise on? Possible qualities might include:
High range frequency response
Mid-range frequency response
Bass frequency response
Microdynamics
Macrodynamics
Soundstage
Imaging
Transient Attack
Decay
Why do you choose what you choose?
2) Are so-called colored components enjoyable because of their coloration or in spite of it? For example, are tube amps whose frequency response is less than flat enjoyable because of the deviation or because they possess a higher degree of accuracy in some other area (e.g. better microdynamics than similar solid state amps) that sufficiently compensates for the warm coloration? Or is it both?
3) Some people think that the music itself is so damaged by the stereo recording process that coloration is a perfectly legitimate way to "fill in the data." Thus they believe that an intentionally colored system done properly can sound even better than a theoretically perfectly accurate system, since the information has already been lost upstream. Do you agree or disagree, and why?
4) Is accuracy more important in some components than in others? Or are certain TYPES of accuracy (frequency response, timing, etc.) more required in some components than in others? For instance, would you prefer a warm amplifier or warm headphones? Why? Would you rather have a slightly hashy high-end on your CD player or a slightly hashy high-end on your speakers?
1) What are the most important audio qualities in a system for you? Which are you willing to compromise on? Possible qualities might include:
High range frequency response
Mid-range frequency response
Bass frequency response
Microdynamics
Macrodynamics
Soundstage
Imaging
Transient Attack
Decay
Why do you choose what you choose?
2) Are so-called colored components enjoyable because of their coloration or in spite of it? For example, are tube amps whose frequency response is less than flat enjoyable because of the deviation or because they possess a higher degree of accuracy in some other area (e.g. better microdynamics than similar solid state amps) that sufficiently compensates for the warm coloration? Or is it both?
3) Some people think that the music itself is so damaged by the stereo recording process that coloration is a perfectly legitimate way to "fill in the data." Thus they believe that an intentionally colored system done properly can sound even better than a theoretically perfectly accurate system, since the information has already been lost upstream. Do you agree or disagree, and why?
4) Is accuracy more important in some components than in others? Or are certain TYPES of accuracy (frequency response, timing, etc.) more required in some components than in others? For instance, would you prefer a warm amplifier or warm headphones? Why? Would you rather have a slightly hashy high-end on your CD player or a slightly hashy high-end on your speakers?