lindrone
King Canaling
- Joined
- Aug 25, 2003
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I noticed in a couple of unrelated threads, there seems to be some idea of that some comparison of CD3000 and UE-10 has been made. I haven't seen other members making this comparison, so I thought this might have risen from some of the comparison that I've made.
I've only compared CD3000 and ProPhonic 2X-S directly, and determined I liked the 2X-S more for various reasons, but I have never mentioned anything about UE-10 up to this point. Seems that some people has interpreted that since I thought UE-10 is up to par, albeit with different sound signature, with the 2X-S, that it was automatically equal/better than the CD3000 as well. I don't think that's necessarily true, so I think I should clarify this for all those who are interested.
Comparison of ProPhonic 2X-S and CD3000
ProPhonic 2X-S:
CD3000:
Comparison of UE-10 and CD3000
UE-10 Pro:
CD3000:
So.. what does this all mean...?
Basically, there are a lot of characteristics of 2X-S that CD3000 simply doesn't have. The way 2X-S produces very fine and rich details in its decay adds a lot more life-likeness to the sound. Its full and warm bass is also very appreciative over the CD3000 for me. So there's multiple reasons why 2X-S is preferrable for me over the CD3000. Where CD3000's only got one chief advantage over the 2X-S.
Compared against UE-10 though, CD3000 and UE-10 is rather more alike. In the way that UE-10 has a relatively cold presentation, and it doesn't produce as much detail in its decay either. The bass is deeper with less body. UE-10 is more analytical, and CD3000 is a lot more musical. Yet CD3000 still has a bigger soundstage, and a more balanced one at that.
Where I felt 2X-S has a lot of advantages over the CD3000, UE-10 just doesn't have quite as much. UE-10 feels more or less like a very cleaned up and dry version of CD3000, without the musicality, fun and excitement. If you made a "monitor" version of CD3000, UE-10 would be it. Not only that, UE-10's forward vocal, at least for me, has always been its detriment, it just destroys the placement of the sound and overall feeling of the soundstage.
In conclusion, even though I consider 2X-S and UE-10 Pro in the same league, I will only take 2X-S over CD3000.
I've only compared CD3000 and ProPhonic 2X-S directly, and determined I liked the 2X-S more for various reasons, but I have never mentioned anything about UE-10 up to this point. Seems that some people has interpreted that since I thought UE-10 is up to par, albeit with different sound signature, with the 2X-S, that it was automatically equal/better than the CD3000 as well. I don't think that's necessarily true, so I think I should clarify this for all those who are interested.
Comparison of ProPhonic 2X-S and CD3000
ProPhonic 2X-S:
- Overall, a warmer sound signature than the CD3000
- Better and more natural decay
- A lot more reproduction of fine, micro-details, allowing everything to sound more life-like. Additional microdynamics creates an richer presentation
- Depper bass, with a more body and fullness
- Not as bright, better sibilance control. Trebles are definitely not as harsh.
CD3000:
- Larger soundstage
Comparison of UE-10 and CD3000
UE-10 Pro:
- About same amount of details in the rising note.
- Very similar in terms of articulation, the way the trebles are extended and sharper
- Similar sibilance control, there are areas where UE-10 gets even a little harsher, due to its more revealing nature. There are sharp trebles that even CD3000 will smooth over, and UE-10 will not.
- Slightly more detail in the decay, but not enough to really beat the CD3000
- Clean, lean bass with deeper reach. At low volume levels, the body is definitely not as full as CD3000. Crank it up much higher, it gets close, but still has that very lean, clean feel
- Compressed soundstage in the midrange due to forwardness of vocals & other midrange instruments
CD3000:
- Larger soundstage
- Flatter sound playback, in terms of no specific element sounds more forward than other elements. Overall balance is better
- Much more musical than UE-10
So.. what does this all mean...?
Basically, there are a lot of characteristics of 2X-S that CD3000 simply doesn't have. The way 2X-S produces very fine and rich details in its decay adds a lot more life-likeness to the sound. Its full and warm bass is also very appreciative over the CD3000 for me. So there's multiple reasons why 2X-S is preferrable for me over the CD3000. Where CD3000's only got one chief advantage over the 2X-S.
Compared against UE-10 though, CD3000 and UE-10 is rather more alike. In the way that UE-10 has a relatively cold presentation, and it doesn't produce as much detail in its decay either. The bass is deeper with less body. UE-10 is more analytical, and CD3000 is a lot more musical. Yet CD3000 still has a bigger soundstage, and a more balanced one at that.
Where I felt 2X-S has a lot of advantages over the CD3000, UE-10 just doesn't have quite as much. UE-10 feels more or less like a very cleaned up and dry version of CD3000, without the musicality, fun and excitement. If you made a "monitor" version of CD3000, UE-10 would be it. Not only that, UE-10's forward vocal, at least for me, has always been its detriment, it just destroys the placement of the sound and overall feeling of the soundstage.
In conclusion, even though I consider 2X-S and UE-10 Pro in the same league, I will only take 2X-S over CD3000.