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Not sure if you are talking about the new H line or the classic V series. Hasselblad is the Rolls-Royce of medium format cameras, and they deliver amazing image quality. They are actually very affordable used, since many wedding photographers are unloading them to go digital. I paid $1200 for my mint 1984 vintage 500C/M with a film back and a Zeiss Planar 80mm f/2.8 lens. That lens is the most basic one in the lineup and not well regarded, but I inspected slides with a 50x microscope and they have as much resolution as those shot with my old Leica 50mm Summicron. The larger medium format negative means much better detail and smoother tonality than 35mm or digital, and they are built like tanks.
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The trade-off is price and weight, of course. The Rebels are very lightweight cameras, which is a plus as most DSLRs are significantly heavier than film SLRs and if you wear yours on your neck, you can definitely feel the weight at the end of the day.
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I used a 35mm f/1.4L as my normal prime on my Rebel XT. Yes, the lens is more expensive than the camera, but the results are well worth it. Also, the lens depreciates far less quickly than the body...
Originally Posted by Konig /img/forum/go_quote.gif However, what piqued my curiosity are hasselblad cameras. Do they have some kind of capability to see through dressing rooms and womans garments to justify their selling price? |
Not sure if you are talking about the new H line or the classic V series. Hasselblad is the Rolls-Royce of medium format cameras, and they deliver amazing image quality. They are actually very affordable used, since many wedding photographers are unloading them to go digital. I paid $1200 for my mint 1984 vintage 500C/M with a film back and a Zeiss Planar 80mm f/2.8 lens. That lens is the most basic one in the lineup and not well regarded, but I inspected slides with a 50x microscope and they have as much resolution as those shot with my old Leica 50mm Summicron. The larger medium format negative means much better detail and smoother tonality than 35mm or digital, and they are built like tanks.
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Originally Posted by jmmtn4aj /img/forum/go_quote.gif If the 400D is anything like the 300D, it uses a system of mirrors to reflect the image going through the lens up into the viewfinder. Purportedly this is a less efficient method of delivering an image as compared to using a glass prism. More light is lost through the mirror method, and as a result the image that appears in the viewfinder is darker than what is actually on the sensor. |
The trade-off is price and weight, of course. The Rebels are very lightweight cameras, which is a plus as most DSLRs are significantly heavier than film SLRs and if you wear yours on your neck, you can definitely feel the weight at the end of the day.
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Originally Posted by jjcha /img/forum/go_quote.gif One of the pains of the 1.6x focal crop cameras is just trying to get a good normal prime. |
I used a 35mm f/1.4L as my normal prime on my Rebel XT. Yes, the lens is more expensive than the camera, but the results are well worth it. Also, the lens depreciates far less quickly than the body...