Well, I'm interested in finding somewhere I can have some measurements made: THD profiles and noise. If time permits, I'll try Magnolia HiFi or perhaps one of the local audio equipment mfgs. Because of another thread I was involved with, I’m bent on finding someplace with an Audio Precision System Two Cascade.
Anyway my Boutique Follower is a pure class A design using super-matched complementary JFETs. Meaning devices matched closer than dual devices (actually much closer). I have no offset adjustment potentiometer and am not using a servo. However, because of careful matching the offsets are well below 1mV and as the batteries discharge to the dispose level the offset creeps up to 2mV. The only capacitors used (all polypropylene) are across the power supplies, made up of eight 9V alkaline batteries. The ground and power planes are constructed of 0.032” sheet copper insulated with electrical grade Teflon. All signal lines are in the air and wired with silver (17AWG in most cases). Active devices are heat sunk with copper refrigerator tubing and solid 6AWG copper wire. Silver impregnated epoxy is used to permanently glue devices into heat sinks and for electrical connections to ground/power planes (a 350 watt soldering iron just didn’t work...but did that sheet copper get hot : ). Besides copper and silver, there is a lot of steel: the enclosure and a secondary lining. The top and bottom covers include vent holes (offset to permit only high angle penetration) that allow for a bit of a chimney effect. The follower weighs in at a hefty 10 pounds. I'll admit, there is some excess (including the use of wires doubled back on themselves to avoid "cable directionality"...but that is another story).
My design is a derivative of Erno Borbely’s Super Buffer. I departed from Borbely after encouragement to try removing global feedback. I find listening tests stressful, but I liked to listen to what I heard on the bread board with global feedback removed. The immediate effect for me was that the music lay soft and loose. It was not tense or electronic sounding. Simultaneously, it does not have a problem with sibilance. I'm not an expert at all so can't really provide much information, but an easy way to try an amp without global feedback is to not include the output stage in the feedback loop. I remember someone posting a two opamp circuit with the BUF634 outside the FB loop. Maybe that person had in mind to isolate the transducer load from the feedback loop.
I'm really glad to now be on the listening side of this project.
JF