slow
New Head-Fier
- Joined
- Jan 8, 2016
- Posts
- 19
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- 12
Hi All!
I was grappling with this problem - I gave up on ever appreciating wine beyond the point of "its red OR its not red" amongst other things. The one great pleasure I found was listening to music through headphones/IEMS because of a whole heap of self apparent and obvious reasons. This was a long time ago when I was in high school, and soon after that, the pursuit went into stasis.
Recently I revisited the whole concept of sound, appreciating it and also pursuing the journey of enjoying it to the fullest extent. That journey started in 2014 with a pair of Beyerdynamic T1 paired with the Corda Meier Dac and Amp in contrast with the HD800 with its own branded DAC+AMP and the cable enhancement Sennheiser made. These were the decisions I made by looking at forums, trying the HD800 against the LCD 2 and a heap of other cans and ultimately getting the two Germans.
Before the recent enhancement of hardware, which has been diverse and manic; I decided to go back and ask the question - is it now the issue of better hardware? or is the issue of hearing?
Most of the music I listen to are from the late 90s, probably produced in sub-optimal conditions and what one would expect from a hardware change is variation in sound rather than any appreciable enhancement of it. The rate limiting steps even before one considers the hardware (at least as I understand it, and I would welcome any differences of opinion) are one's hearing and the quality of the source.
Lets ignore the source for this conversation and emphasize on the nature of hearing. You get old, it either stays the same or diminishes in its sensitivity. I went to an audiologist to get impressions and we had a conversation about this, they were gracious enough to then sit and do a hearing test. I noticed that the headphones etc they had in this soundproof room wasnt amazing stuff but it was the clinical standard [This is issue 1].
Subsequently I was told that I have a hearing of a 10 year old - at first I thought that meant it was underdeveloped. But apparently what the person meant was that it was very good. However, my experience of being mindful of music is non-existent. What is extant is just simply enjoying it, being aware of it but not conscious of it. I've never been able to differentiate between different instruments, and mid range sounds when the genre of music changes (e.g. from electronica to classical) nor have I been able to identify the different notes and musical instruments in complex compositions.
So here goes the question - to what extent do you guys think the natural limits of hearing affects your preference in what you listen from. Furthermore, does anyone maintain the view that you can condition yourself to enhance the finesse of your hearing regardless of minor or moderate setbacks in its perceptive quality?
I was grappling with this problem - I gave up on ever appreciating wine beyond the point of "its red OR its not red" amongst other things. The one great pleasure I found was listening to music through headphones/IEMS because of a whole heap of self apparent and obvious reasons. This was a long time ago when I was in high school, and soon after that, the pursuit went into stasis.
Recently I revisited the whole concept of sound, appreciating it and also pursuing the journey of enjoying it to the fullest extent. That journey started in 2014 with a pair of Beyerdynamic T1 paired with the Corda Meier Dac and Amp in contrast with the HD800 with its own branded DAC+AMP and the cable enhancement Sennheiser made. These were the decisions I made by looking at forums, trying the HD800 against the LCD 2 and a heap of other cans and ultimately getting the two Germans.
Before the recent enhancement of hardware, which has been diverse and manic; I decided to go back and ask the question - is it now the issue of better hardware? or is the issue of hearing?
Most of the music I listen to are from the late 90s, probably produced in sub-optimal conditions and what one would expect from a hardware change is variation in sound rather than any appreciable enhancement of it. The rate limiting steps even before one considers the hardware (at least as I understand it, and I would welcome any differences of opinion) are one's hearing and the quality of the source.
Lets ignore the source for this conversation and emphasize on the nature of hearing. You get old, it either stays the same or diminishes in its sensitivity. I went to an audiologist to get impressions and we had a conversation about this, they were gracious enough to then sit and do a hearing test. I noticed that the headphones etc they had in this soundproof room wasnt amazing stuff but it was the clinical standard [This is issue 1].
Subsequently I was told that I have a hearing of a 10 year old - at first I thought that meant it was underdeveloped. But apparently what the person meant was that it was very good. However, my experience of being mindful of music is non-existent. What is extant is just simply enjoying it, being aware of it but not conscious of it. I've never been able to differentiate between different instruments, and mid range sounds when the genre of music changes (e.g. from electronica to classical) nor have I been able to identify the different notes and musical instruments in complex compositions.
So here goes the question - to what extent do you guys think the natural limits of hearing affects your preference in what you listen from. Furthermore, does anyone maintain the view that you can condition yourself to enhance the finesse of your hearing regardless of minor or moderate setbacks in its perceptive quality?