Quote:
Originally Posted by fr4c
well it also depends on what source you are using and now much you'll willing to go for an upgrade.
IMO, the SR-71 is warm and rich sounding, like a cup of hot Geneva chocolate. the Supermacro on the other hand is crisp and punchy, like a cold 20 oz. bottle of coke on a summer day.
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awesome description, might have to pick up an sr71 to use on trips. i miss my syrupy-sweet Mullard-tubed XCAN v3 and the bass of my rs1s... currently "stuck" with my iPod and my 'beater' sr60s (i feel terrible saying/thinking that, considering how few people will ever even have the good fortune to enjoy what many of us call 'entry level junk' - but i've spoiled myself).
Quote:
Originally Posted by ILikeMusic
a good amplifier should increase the sound level of a source without having any effect on the quality of the sound itself.
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very idealistic. if you are living in a bubble, maybe... every piece of equipment from source to output colors things, what you eventually realize when you have spent the cost of a german sports car or two in audio gear is that it's really about balance and synergy and paring equipment to flavor said coloring to your preferences.
why else do people talk about pairing a warm am with bright cans.
it's very easy to buy "accurate" stuff and end up with a thin, brittle, bright fatiguing rig (even IF you can "hear everything that is there") - lately i've been favoring pacing, rhythm and musicality over accuracy, i want my music to sound like music, not sound. sorry, that's just as idealistic as what you wrote
but i guess my point is you either take an accurate source with an interpretive transducer or vice versa. my home rig consists of a somewhat cold almost clinical DAC, a ballsy solid state amp and a very liquid speaker (totem acoustic). my non-portable headphone rig is the opposite, a polite DAC (not soft but just uber-neutral), and the "sweet" is from the tube amp...
it's all about balance and preference.