k1n0n3
100+ Head-Fier
- Joined
- Jan 31, 2007
- Posts
- 180
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- 24
That's the whole problem! You wanted to simplify the discussion down to the point of saying; it's all just magic. That doesn't wash here on this sub-forum, even this point seems too complex for you to understand. Oh and BTW, just because a comment is above your "it's all magic" level of understanding does not make it "smart ass"! Can't say I'm the least bit surprised at your response, it's the usual audiophile response to simple facts; just ignore it and move on to a different audio area which really is based on magic because you and your mate heard it.
1. There is no evidence that anyone on the planet can tell the difference, so that would be about 1: 7,400,000,000, not one in a million.
2. I've worked on a number of "literally world class" systems, in some of the world's top recording studios. No one, in any of these studios, can tell a difference. In fact the matter was dead and buried before it even started because those people actually know how audio works. These multi-million dollar world class studios use $2.50 connectors and $2 per foot cable because that's the best there is.
So, your flea market option is the only real option left on the table!
G
Since you were quoted, I couldn't help but read your amazingly scientific reply, and reply one last time.
The whole problem is you, not this discussion, I seemed to have carried on with others just fine, but you, trying to insult and belittle people in your replies makes it smart ass, not my level of understanding. Me simplifying the discussion to its "all just magic" was in a direct reply to you asking if that was what I thought, clearly sacrasm, or is that too complex for you to comprehend, here in this scientific sub-forum ?
You are not in the least bit surprised, and shouldn't be, not because of the usual "audiophile" (which I never claimed to be, but was apparently labeled by you) response, but because you should be used to people walking away from a discussion with you, as they simply rather not tollerate your feeble attempts at trying to make yourself sound superior.
Let me ask, since you listed your impressive pedigree as an audio engineer.
In these multi-million dollar world class studios, were you ever involved in the design process or given some kind of a budget to operate on?
Did you pick out the monitors and midfields, if so, how were they chosen and why. Was each set measured with science or magical fairy dust audiohile ears ? Was it before or after acoustic treatment of the space?
Same question for the rest of the gear.
At which point were high end cables compared to $2 per foot mogami's, which part of the chain, digital or analog cables ?
Was it a scientific or monetary decision to have multiple 20 meter runs to a booth of $2 per foot cable with $2.50 terminations ?
Does it matter to an audio engineer if a cable sounds better or not when he/she is working a mix down that should translate and sound good on the lowest common denominator - a cheap home stereo?
Does it matter to the client who commissioned the work of the studio whether high end cables are used, or is it more a concern of a proper mastering of the audio and how much profit it will bring in?