Dear Head-Fiers,
I've been journeying though the mid- and upper range price classes for a few weeks, looking for a closed - ideally planar magnetic - headphone that can especially do well with Indian classical music (e.g. meaning lots of overtones ~ bunches of details at all frequency rates ~ intimate & lively, strong settings ~ a voice-centred larger concept ~ lots of feeling and empathy required).
I haven't been to a place to hear MrSpeakers Ether C yet, and so I've naturally gravitated towards the LCD-XC. Then, however, I got aware of the 2016 revamp and found that I've listened to an older pair. I've seen the frequency graphs comparing the 2016 and pre-2016 XC in #114 of this thread, and I can deduce that the new XC sounds more balanced - maybe indeed more like the LCD-X as per Audeze's announcement -, but I would love to hear how people who know both versions have actually perceived these differences.
In case of the EL-8C, I got to hear both a 2015 and 2016 model the same day, and like it's been said here they're hardly the same headphone: the former sounding more like a scaffolding and the latter like a decent, finished mansion. What especially surprised me is how well the 2016 EL-8C was able to convey voices and choruses, with an airy but vast, precise sense of their movement and also emotion, while the older LCD-XC was not quite able to match the EL-8C there. First I thought that was due to using a DMP with less output (the Cowon J3), but the impression just reiterated on a higher level with an Astell&Kern AK300. Of course, the LCD-XC still outperforms the newer EL-8C in most other areas, but with this detail I was left wondering what the 2016 overhaul has possibly advanced of the old XC, which already seemed about 90% right for what I am searching. Is there anyone who can tell?