Quote:
Originally posted by MirandaX
Spad, could you post a bit more detail about how the W2002's compare to the Etys? (I suspect that if a headphone could combine the Ety's balanced sound with a little bit of visceral bass, it might be perfect...) |
When I wrote that I really pondered whether or not I was succumbing to the 'new-toy-itus' that seems almost contagious here at times. With slightly more time on the W2002s I'm even more confident of my statement's accuracy.
As the vast majority of Ety owners will affirm, once you learn the ins-and-outs (literally) of Etys they immediately become the standard of comparison for all future headphone encounters.
For me, the "Ety experience" is characterized by two things: the ability to resolve complex textures, and the sensation that there is no intervening technology between the listener and the music.
The value of these attributes varies by one's taste. For example, those who listen primarily to rock experience music differently than someone who prefers classical music as I do. Rock music, even when experienced live, is usually actually heard over speakers and the dynamics often consist simply of "loud" and "much louder."
Conversely, live classical music, is more often a completely acoustic experience where the concert hall, and one's placement within it, plays a significant roll. The dynamic range varies almost as a matter of course from the barely audible to near deafening crescendos.
The aims of these two listener groups when auditioning headphones vary in other ways. This was brought home to me when a rock loving fellow Head-Fier here recently (in effect) said he wanted his headphone system to sound like a fine speaker based system. I found this mildly surprising. This is the
last thing I want. I want my phones to, as closely as possible, replicate that live concert experience that I've had in various venues around the world.
In many respects, I believe it's just as important to consider the musical tastes of a reviewer as it is to consider the equipment used in the review. For example, when I write about the W2002s ability to isolate a single instrument, I may mean a single clarinet in the woodwinds section of a hundred piece orchestra. The rock lover, using identical words, may be addressing one of possibly two electric guitars being distinct from the drums in a five piece rock group.
I hope rock or rap lovers won't take this as an affront to their musical tastes. No such offense is intended.
Finally--after that long digression--back to MirandaX' question. As I write this, I'm listening to Mahler's Adagietto from his fifth symphony (Berliner/Abbado/DG), a performance I've heard numerous times over the Etys. It has never sounded more lush, dynamic, or exquisitely beautiful than with the W2002/Corda HA-1.