Publius
500+ Head-Fier
- Joined
- Nov 23, 2003
- Posts
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There isn't anything inherently bad about low-bitrate music; it's all about how it's used. And 128k MP3s have so fewer bandwidth requirements than high-bitrate and lossless music that I can easily perceive indie artists getting more of a profit out of using them, if they're fronting the hosting costs themselves. It's the old capitalist Faustian bargain: the good is more successful than the best, but that doesn't mean the good is worse than the best.
And to be sure, 128k MP3s are good. Not relatively good, but much better than the poorly recorded cassettes and bad FM reception that used to prevail in consumer markets. Have most people ever cared about audio quality? My ex-gf wouldn't have used reripped MP3s and lossless if I had done it all myself. Consider it something of a historical fluke that we could have ever received higher quality than that in the first place (that we can rip to high bitrates from CD ourselves).
I try to avoid buying low bitrate music too, but mostly for other reasons. Once I can buy online music with full liner notes, proper tagging, gapless support and a reasonable backup capability for a cheaper price than CD, I probably won't care what bitrate it's encoded at.
And to be sure, 128k MP3s are good. Not relatively good, but much better than the poorly recorded cassettes and bad FM reception that used to prevail in consumer markets. Have most people ever cared about audio quality? My ex-gf wouldn't have used reripped MP3s and lossless if I had done it all myself. Consider it something of a historical fluke that we could have ever received higher quality than that in the first place (that we can rip to high bitrates from CD ourselves).
I try to avoid buying low bitrate music too, but mostly for other reasons. Once I can buy online music with full liner notes, proper tagging, gapless support and a reasonable backup capability for a cheaper price than CD, I probably won't care what bitrate it's encoded at.