Quote:
Originally posted by lini
But if your question means: "If I hear sound playing from a redbook audio cd rendered in 24/96, is there upsampling involved?", then the answer is: "Yes, there is."
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Thanks, and yes.
I just read this:
Oversampling-
The oversampling technique was developed to get away from a "brickwall filter". A digital system interpolates new points between the different original samples to obtain an artificially higher sampling rate. This allows the use of a less aggressive filter because it doesn't have to eliminate frequencies as close to the frequencies it must not affect. It first began as four times (4x) oversampling (i.e. 176.4kHz), then later eight times (8x) oversampling (i.e. 352.8kHz). The digital filter must perform many mathematical calculations to determine the value of the point it must add to the original digital signal. Often, this calculated value may fall between two discrete values, so the oversampling system must round off the value to the closest discrete value. To increase the precision of the resulting calculated value, DACs and digital filters with more than 16-bits of resolution were therefore introduced. We have seen 18-bit, 20-bit and 24-bit digital filters and DACs. It is important to note that oversampling creates an artificially higher sampling frequency, which does not extend the real frequency response of the original media or the system, but simply extends the frequencies that need to be filtered out, allowing for a simpler and better sounding analog filter.
Upsampling & Upconversion-
One of the latest storage mediums is the popular the Digital Versatile Disc (DVD). When developing this new standard, a higher-than-CD resolution PCM format was adopted with a maximum resolution of 24-bits/96kHz. For the professional market, this new format had to be compatible with the CD's 16-bit/44.1kHz resolution. This would allow the conversion of original recordings to the new standard. So a sample-rate converter chip, which is nothing more than an oversampling digital filter, was created to actually convert any digital signal from one standard format to another format. For example, a 16-bit/32kHz signal can then be converted to 24-bit/96kHz and 24-bit/96kHz can also be converted to 16-bit/48kHz. This gave rise to the marketing hype with the concepts of upsampling and upconversion, which claims could upsample or upconvert your 16-bit/44.1kHz CD to a 24-bit/96kHz resolution digital signal prior to the digital to analog conversion, resulting in DVD-audio like quality from CD. While this statement is a great idea for marketing purposes and is surely impressive to most consumers, it is technically only half true, and is not the best way to improve the audio quality that can be derived from CDs.
Why?
Digital filtering is digital filtering regardless of name assigned to it, and how the interpolation is made still relies solely on the arithmetic calculations implanted in dedicated hardware or software. The main difference is how well the "mechanics" of the mathematics will assist in the signal's reconstruction. When changing the sampling rate, it is better to maintain an integer multiple of the original signal's sample rate, so the processing is kept simple. More importantly, the end result is more accurate, thus enabling a higher fidelity of sound reproduction. A two times (2x) oversampling system will double the sampling rate, by adding one easy to find numerical value in between each actual sample. For example, when a 44.1kHz digital signal is processed, a 88.2kHz digital signal is obtained. It is simple, effective and precise because it is a direct multiple of the original digital signal. For an upsampler to make a 96kHz digital signal from a 44.1kHz signal, it will have to perform awkward mathematical operations to obtain a 96kHz signal. (96kHz / 44.1KHz equals 2.1768707...). This results in a less accurate output from the digital filter, with everything else following (i.e. digital-to-analog conversion and analog filtering) also being less accurate. As well, exactly like oversampling, the artificially higher sampling frequency created by an upsampler doesn't increase the actual frequency response of the system, but simply increases the lower limit of the frequencies that need to be eliminated.