Grouchator
New Head-Fier
- Joined
- Sep 12, 2014
- Posts
- 29
- Likes
- 16
Introduction and Premise
So, I am a 17 year old who’s been into headphones for about a year and a half now. Head-fi is a forum filled with people with a lot of experience and a lot of expendable income, two things I don’t have. So, most of the lingo used to talk about headphones is made for people to know a lot about headphones (People have different tastes in signature and in music, so they know what terms make their music sound the best to them). This is a really informative way to talk if you’ve tested a lot of headphones, but newer people don’t know what “punchy bass” is, or how a “rolled off treble section ” sounds. They might picture what those terms mean, but you don’t really know what they actually entail until you hear the cans being talked about.
This gave me an idea; Why don’t I skip the middleman that is lingo and tell you exactly how they sound in specific situations? As in, I give a track in a very specific context (usually Spotify Free, sorry), and compare and contrast how each headphone represents it. I will link every song I use, so you can follow along at home. I will cover a lot of areas (Acoustic, electronic, high and low bitrates, portable usage, etc.), so this will take a while. I call this format, “Applied Comparison.”
This project will do several things
First of all, we need a quick keyword roundup of...
The Headphones
Koss Sportapro: “Bassy” “Dark” “Muddy” “Mid-Centric” “Forward”
Grado SR60i: “Crisp” “Aggressive” “Mid-Centric” “Punchy” “Bright”
Sennheiser Momentum (now known as “Senns”): “Smooth” “Warm” “Clear” “Rich” “Well-Balanced”
In summary, Koss is mid-centric with bass emphasis, Grado is mid-centric with treble emphasis, and Senn is the most balanced of the three, but still has a slight to moderate emphasis on the bass and mids (which is what makes them warm.)
Note: I’m comparing a budget pair,an entry level pair, and mid ranged (expensive for normal consumers) pair here. Most if the time I’ll be looking at sound signature rather than sound quality, but keep the price difference in mind when I talk about these.
Introduction to the Format
Pink Floyd “Another Brick in the Wall, Part 2” (Popular song. Expect more obscure songs, as well as better descriptions as I cover material I’m more familiar with.)
Koss: Bass takes center stage, with vocals and guitar behind it. Drums and bass guitar have a lot of oomph, vocals are clear and have nice body. Cymbals have a good sizzle to them, and individual guitars are distinguishable and sound smooth. Vocals have nice detail, but the choir is heard as one entity, not a bunch of voices at once. Sound is placed on either side of your head, but is only a few inches off the driver at most.
Grado: Noticeably less bass tone, allowing for you to hear the bass being picked. It sound more like an instrument being played instead of a note ringing. Focus on drums shifts from bass drum to the snare, toms, and cymbals (which has much more sparkle to it.) Vocals have nice body, and consonants are easily heard (you can picture how the mouth is moving.). The choir sounds a lot more detailed, and you can pick out individual voices. You can hear the pick hit the guitars, which sound equally smooth. Sound is much more easily distinguishable, with everything being evenly placed in a certain spot around your head.
Senns: Bass has more oomph, but it’s not the main focus. You can hear the bass being picked as well. Cymbals have noticeably less sparkle, but all other drums are equal in impact and focus. Vocal effects become easy to notice, and are extremely clear to listen to. I can hear Roger Water’s voice in the crowd (a first here), as well as follow all instruments all the way through. The guitars have a very nice body, and subtleties of notes can be easily heard. The keyboards during the guitar solo have the most presence here, and small details in the music are easily heard.
Summary: I enjoyed the song greatly through all of these. The Koss gave it nice impact and a good beat to follow (what more can you ask on the go), the Grados had some nice detail and fun guitar tones, and the Senns gave the whole song a really lifelike tone.
So, that’s my long intro to the applied comparison. I hope you enjoy it, and if you have any feedback and advice for me, you are more than welcome to leave it below. I am still a newbie in the grand scheme of things.
So, I am a 17 year old who’s been into headphones for about a year and a half now. Head-fi is a forum filled with people with a lot of experience and a lot of expendable income, two things I don’t have. So, most of the lingo used to talk about headphones is made for people to know a lot about headphones (People have different tastes in signature and in music, so they know what terms make their music sound the best to them). This is a really informative way to talk if you’ve tested a lot of headphones, but newer people don’t know what “punchy bass” is, or how a “rolled off treble section ” sounds. They might picture what those terms mean, but you don’t really know what they actually entail until you hear the cans being talked about.
This gave me an idea; Why don’t I skip the middleman that is lingo and tell you exactly how they sound in specific situations? As in, I give a track in a very specific context (usually Spotify Free, sorry), and compare and contrast how each headphone represents it. I will link every song I use, so you can follow along at home. I will cover a lot of areas (Acoustic, electronic, high and low bitrates, portable usage, etc.), so this will take a while. I call this format, “Applied Comparison.”
This project will do several things
- Compare three headphones in a (way too) detailed manner. (Koss Sportapros, Grado SR60i, Sennheiser Momentum (1) Over Ear)
- Give newbies a way to see how sound signatures perform in specific situations.
- Show these headphones in use in more consumer friendly situations.
- Give me some practice in articulating how headphones sound.
First of all, we need a quick keyword roundup of...
The Headphones
Koss Sportapro: “Bassy” “Dark” “Muddy” “Mid-Centric” “Forward”
Grado SR60i: “Crisp” “Aggressive” “Mid-Centric” “Punchy” “Bright”
Sennheiser Momentum (now known as “Senns”): “Smooth” “Warm” “Clear” “Rich” “Well-Balanced”
In summary, Koss is mid-centric with bass emphasis, Grado is mid-centric with treble emphasis, and Senn is the most balanced of the three, but still has a slight to moderate emphasis on the bass and mids (which is what makes them warm.)
Note: I’m comparing a budget pair,an entry level pair, and mid ranged (expensive for normal consumers) pair here. Most if the time I’ll be looking at sound signature rather than sound quality, but keep the price difference in mind when I talk about these.
Introduction to the Format
Pink Floyd “Another Brick in the Wall, Part 2” (Popular song. Expect more obscure songs, as well as better descriptions as I cover material I’m more familiar with.)
Koss: Bass takes center stage, with vocals and guitar behind it. Drums and bass guitar have a lot of oomph, vocals are clear and have nice body. Cymbals have a good sizzle to them, and individual guitars are distinguishable and sound smooth. Vocals have nice detail, but the choir is heard as one entity, not a bunch of voices at once. Sound is placed on either side of your head, but is only a few inches off the driver at most.
Grado: Noticeably less bass tone, allowing for you to hear the bass being picked. It sound more like an instrument being played instead of a note ringing. Focus on drums shifts from bass drum to the snare, toms, and cymbals (which has much more sparkle to it.) Vocals have nice body, and consonants are easily heard (you can picture how the mouth is moving.). The choir sounds a lot more detailed, and you can pick out individual voices. You can hear the pick hit the guitars, which sound equally smooth. Sound is much more easily distinguishable, with everything being evenly placed in a certain spot around your head.
Senns: Bass has more oomph, but it’s not the main focus. You can hear the bass being picked as well. Cymbals have noticeably less sparkle, but all other drums are equal in impact and focus. Vocal effects become easy to notice, and are extremely clear to listen to. I can hear Roger Water’s voice in the crowd (a first here), as well as follow all instruments all the way through. The guitars have a very nice body, and subtleties of notes can be easily heard. The keyboards during the guitar solo have the most presence here, and small details in the music are easily heard.
Summary: I enjoyed the song greatly through all of these. The Koss gave it nice impact and a good beat to follow (what more can you ask on the go), the Grados had some nice detail and fun guitar tones, and the Senns gave the whole song a really lifelike tone.
So, that’s my long intro to the applied comparison. I hope you enjoy it, and if you have any feedback and advice for me, you are more than welcome to leave it below. I am still a newbie in the grand scheme of things.