Ok so slow filter inaudible aliasing artefacts
Nos audible aliasing artefacts?
No, one more time: Slow filter, fast filter, whatever filter, there are NO aliasing artefacts. Aliasing does not occur in the Digital to Analogue Conversion (DAC) process, only *potentially* in the Analogue to Digital Conversion (ADC) process. Maybe you’re referring to a NOS (Non-OverSampling) ADC but there is no such thing, by the end of the 1980’s all pro ADCs were oversampling ADCs and the NOS ADCs before then were never filterless anyway. The first pro ADC I bought was in about 1993 and as was standard at that time it had 64x oversampling.
I didn’t say it removed them I assumed it would be too low in level to be a problem with all this talk of -40db being enough.
-40dB is not enough. It’s enough by a few kiloHertz above the Nyquist freq (say by 24kHz or so, in the case of 44.1kFs/S) but you need increasingly more attenuation above that point, up to at least -80dB.
I have a dragonfly cobalt floating around somewhere and remember seeing archimagos measurements and that uses a slow minimum phase filter, he talked about some imaging seeping in but when I listened to it didn’t sound rough like the measurements show.
Unfortunately, you don’t seem to understand what the measurements show. To be fair, this is extremely common in the audiophile community and routinely exploited by marketers. If most audiophiles did understand what “
the measurements show” then a large portion of the marketing/reviewing BS would instantly stop! There are two points that are commonly missed/misunderstood:
1. As I mentioned previously, these DAC measurements are measurements of how the DAC responds to certain test signals. Many of these test signals are designed to test the absolute limits of the DAC, they are not representative of the performance of the DAC in normal use. Some of the test signals used don’t even represent a “worst case scenario”, they’re even worse than a “worst case scenario”. The most obvious example of this is the impulse response measurement, the test signal is a Dirac Pulse but Dirac Pulses never exist in music (or other sound), so you will NEVER get that measurement when reproducing music/sound. In fact, the ringing you see in the impulse response measurement actually occurs quite rarely, the impulses we actually get in music typically produce no ringing at all and when we do get ringing, it’s always at a much lower level than with a Dirac Pulse. The test you’re referring to is not quite the same as the impulse response measurement, in the sense that a Dirac Pulse cannot actually exist as sound, while the near full scale 19 & 20kHz test tones could exist. However, in practice they don’t, or at least I’ve never seen it and if it does actually exist in any music recordings it’s incredibly rare. There are 19 & 20kHz freqs in music recordings but they’ll be a lot lower than full scale and therefore the images will also be a lot lower in level than this measurement, probably by at least 20dB and very possibly 40 or more dB lower.
2. Not reading/understanding the scales on the axes and/or not understanding how they relate to human hearing. In this example, the x-axis is frequency and the images produced in response to the 19 & 20kHz test tones are at 24.1 and 25.1kHz respectively. Baring in mind that healthy adult human hearing extends to about 16kHz, why are you expecting to hear something that “sounds rough” that is above 24kHz? Assuming you’re an adult, it would be very surprising if you could even hear the test tones (at a reasonable listening level), let alone the images which are ~5kHz higher. The only way you could potentially hear them with music recordings is indirectly, in the form of inter-modulation distortion (IMD) products below 16kHz, although you need to have particularly poor amp or transducers (or with very inappropriate settings) to produce enough IMD for it to be audible.
And if I don't care about fidelity and I like my music colored, is there an inherent problem with that?
None at all. There would only be an inherent problem if you then described that NOS DAC as high fidelity (or even mediocre fidelity) or as high (or good) quality with some implied reference to fidelity, because that would be an incorrect/false assertion. Unfortunately, we quite commonly see that sort of false assertion, which is a problem.
G