roy_jones
500+ Head-Fier
- Joined
- May 29, 2005
- Posts
- 962
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- 55
I've observed something in a lot of the reviews for the HF-1 that has caused to pause and consider waiting to see if they start showing up on the used market in a couple of months.
A lot of people will comment that they are not as advanced, or technically proficient, in terms of SQ, as some other headphones they've got- but that they like the HF-1 in terms of "fun", and because they're "engaging" and other such qualities that aren't really SQ related...or if they are, they're very loosely SQ related.
Whenever I hear people describe something in those kind of terms, that "it's not as technically good as this-or-that headphone, but I 'like' it more..." it makes me think that this is going to eventually wear off, and that those owners will eventually revert to their obsessive-compulsive need to analyze sound on purely sonic merits, and decide that the FOTM's novelty doesn't hold up.
Is this incorrect? I've certainly also read enough glowing reviews of the headphone, so I'm not suggesting that the issue is with the cans themselves. But just where it places on the relative food-chain...once some of the novelty wears off...if we're assuming that the objective SQ is the most reliable long-term criteria of how a headphone will hold its value over time.
I kind of expect that the explanation as to the reason why some people could enjoy it more, even though objectively it is slightly less technically proficient, is that it boils down to a 'personality' thing. Basically that the warmth added by the wood driver housing, as well as the tamed highs offer a 'personality' that is more appealing to some Grado users- that ultimately compensates in terms of overall enjoyment for the deficit it might experience in things like bass and treble extension, or other such qualities.
A lot of people will comment that they are not as advanced, or technically proficient, in terms of SQ, as some other headphones they've got- but that they like the HF-1 in terms of "fun", and because they're "engaging" and other such qualities that aren't really SQ related...or if they are, they're very loosely SQ related.
Whenever I hear people describe something in those kind of terms, that "it's not as technically good as this-or-that headphone, but I 'like' it more..." it makes me think that this is going to eventually wear off, and that those owners will eventually revert to their obsessive-compulsive need to analyze sound on purely sonic merits, and decide that the FOTM's novelty doesn't hold up.
Is this incorrect? I've certainly also read enough glowing reviews of the headphone, so I'm not suggesting that the issue is with the cans themselves. But just where it places on the relative food-chain...once some of the novelty wears off...if we're assuming that the objective SQ is the most reliable long-term criteria of how a headphone will hold its value over time.
I kind of expect that the explanation as to the reason why some people could enjoy it more, even though objectively it is slightly less technically proficient, is that it boils down to a 'personality' thing. Basically that the warmth added by the wood driver housing, as well as the tamed highs offer a 'personality' that is more appealing to some Grado users- that ultimately compensates in terms of overall enjoyment for the deficit it might experience in things like bass and treble extension, or other such qualities.