fjhuerta
I gave Jude an Orpheus and all I got was this lousy title.
- Joined
- Jun 30, 2001
- Posts
- 492
- Likes
- 78
I think I talked about this before in other sections in the forum. Still, it bears repeating.
Ambisonics is simply FABULOUS. Incredible.
Don't know what Ambisonics is? Well, it's a technology developed in England in the 70's. Supposedly, they recorded using L-shaped microphones, and captured the overall sound pressure level, then substracted the respective left, right, up and down signals, created a signal called wxyz with them, and then encoded them into a J (stereo) signal.
Sounds complex, but the decoders are pretty simple.
I had an Ambisonics recording (Alan Parsons - Stereotomy) and I decided to decode the J signal into a 5.1 surround Dolby Digital mix. It took me close to two weeks, but...
1) The surround mix is so impressive, it leaves DTS in the dust. Not because of clarity or channel separation, but the overall ambiance was simply *perfect*. It wasn't as if "horns blared over *that* speaker". More like, "hey, a horn is sounding over there... like, to the left of the front channel, but a bit on the back". Wow.
2) The algorithm allows you to define the distance between listener and speakers. So I designed an Ambisonics mix with the exact position of my speakers. Which made the mix simply incredible.
3) Unfortunately, I had to set the levels perfectly. And if I moved a couple of centimeters from the sweet spot, the imaging was severely hurt.
4) People can't believe the decoded Ambisonics mix really started life as a stereo recording. It's *that* good.
Sadly, I don't have any other Ambisonics discs. Maybe it is for the better. I would end up decoding every CD in my collection, and 2 weeks is too long
Ambisonics is simply FABULOUS. Incredible.
Don't know what Ambisonics is? Well, it's a technology developed in England in the 70's. Supposedly, they recorded using L-shaped microphones, and captured the overall sound pressure level, then substracted the respective left, right, up and down signals, created a signal called wxyz with them, and then encoded them into a J (stereo) signal.
Sounds complex, but the decoders are pretty simple.
I had an Ambisonics recording (Alan Parsons - Stereotomy) and I decided to decode the J signal into a 5.1 surround Dolby Digital mix. It took me close to two weeks, but...
1) The surround mix is so impressive, it leaves DTS in the dust. Not because of clarity or channel separation, but the overall ambiance was simply *perfect*. It wasn't as if "horns blared over *that* speaker". More like, "hey, a horn is sounding over there... like, to the left of the front channel, but a bit on the back". Wow.
2) The algorithm allows you to define the distance between listener and speakers. So I designed an Ambisonics mix with the exact position of my speakers. Which made the mix simply incredible.
3) Unfortunately, I had to set the levels perfectly. And if I moved a couple of centimeters from the sweet spot, the imaging was severely hurt.
4) People can't believe the decoded Ambisonics mix really started life as a stereo recording. It's *that* good.
Sadly, I don't have any other Ambisonics discs. Maybe it is for the better. I would end up decoding every CD in my collection, and 2 weeks is too long
