That is somewhat true. Film and TV mix rooms are standardised, it’s only music studios that aren’t. However, in commercial music production it’s usual for the mix to be monitored on different setups, the main monitors and near-fields for example, commonly more than one studio is used for recording and mixing and of course the finished mix goes to another studio for mastering. These different setups and studios have the effect of averaging out (even’ing out) discrepancies that the FR of one studio might have caused.
There are other considerations though. On the one hand: When calibrating rooms/speakers the scale of discrepancies is orders of magnitude greater than the discrepancies found in amps and DACs. For example, freq deviations of 6dB are typical, even in a good studio. On the other hand, good/famous studios are famous because their rooms have proven to be particularly conducive to producing hits (and/or the highest quality recordings). And lastly, Toole demonstrated that experienced engineers become can become used to certain discrepancies and subconsciously compensate for them.
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